Isidro Urquia

Hi everyone. Im shooting mid november to mid december and need an AC/tec and a Grip. Bilingual Spanish Eanglish a must. The Spanish can be mangle is ok. Send info and rates to isidro.urquia@gmail.com its 200thousend budget so if your not willing to negotiate don't respond. Thanks. We will be shooting with the Epic .

Yes. The mount can be removed and fitted with a PL mount. Most rental houses have there own tool shops so if you can find one they problably replace it. This is not that tec intensive, all it requires is a calimator and tools. To remove the mount. Cheers.

Sorry doble post

For what i can see the top section looks like a BNC mount. I assisted on hispeed and the cameras came with PL and BNC. The pin I never seen before, but at the house where i work they costume a lot of parts for this camera. Hope it was helpful.

Film school. Sorry for the missing word.

Matt you can see a trailer here, sorry thats all I got. Its an Urban Drama shot with then hot XL2. I learnd in this film what 4a years of film forgot to teach me. To Direct is the easy fun part, the works comes when you have to babysit actors resolve disputes in the dep. All while you direct rewrite and shoot in my case. It was a great learning experience and there are some prety good secuences in it.

I'm so fortunate to have made my first bad movie "Two Guns" if any of yous dare. I got dvd distribution hurray.

Great B movies : Pushing up daisys / Any wrestling film with El Santo and Blue Demon / shock corridor / The fly (original) Ereaser Head / Re-Animator (classic) / Night of the living dead / The Invisible Man 1933 / Any 8mm film by the Ckucher bothers from the Bronx. The list of great director and DPs that came from the B school of filmaking is amazing. Any one that managed to create and finish a film deserve admiration and a chance you might learn something from it.

Great B movies : Pushing up daisys / Any wrestling film with El Santo and Blue Demon / shock corridor / The fly (original) Ereaser Head / Re-Animator (classic) / Night of the living dead / The Invisible Man 1933 / Any 8mm film by the Ckucher bothers from the Bronx. The list of great director and DPs that came from the B school of filmaking is amazing. Any one that managed to create and finish a film deserve admiration and a chance you might learn something from it.

Thanks guys for the info. I had a bias toward red lenses but this info will help me to make and inform choice. 1 question, is the vignnietting only noticeable to a discerning DP eye? Or very noticeable. Thanks again. Isidro.

if you look at the start of the mirror shot there is a jump, somthis or someone dispears from the frame. it seems to be key.

it dosnt look (to me) that is shot in black and white. plusx has a deeper contrast and doblex has a lot more grain. the color painting in the first shot tells me they pull the color. there is a little part of the window that remain and is in color, that tels me its a color pull. for the shot in the mirror is not that dificult to hide a the seat that snaps on to the crane. i think they will not risk having her on the set with all the glass flying about (her label will not permited) so post and key later sims to me the only choice. i hope this helps.