Fernando Nicolas

Is the aspect ratio almost the same if I'm at a 50mm focal length on an slr lens vs. super 35? Thanks.

16X9 PAL/NTSC. My main concern is making this effect look as professional as possible.

Got it. Thank you. I am shooting film - probably 16mm - how costly would this be?

I'm looking for something similar to the girl with the red dress in Schindler's list. Would I have to shoot green screen, or can I simply do it in Final Cut? Is this a problem if I want a one light transfer? I don't have a huge budget, but I also don't want it to look cheap. It's a key moment in my narrative. Basically, a girl's lips turn red as she puts on lipstick. Ideally, I'd love for the lips to turn red as she puts on the lipstick - meaning it turns red only when she puts the lipstick over it. Thank you.

Very landscape-oriented, was wondering this. Thanks.

How in your experience has this been? For example, it's a dinner scene with two actors - one of them isn't really eating off his plate and you feel that he should. Do you speak to the director? I'd just love to hear how this dynamic usually works. Thanks.

What would be the standard difference between renting the same exact equipment for three days (sticks, lenses, on-board monitor, follow focus, etc.) between a 435 and a 16SR3? I understand it would vary by rental house, but what's the ballpark? Thanks.

hi, i am gearing up for a shoot and was wondering if references are available for films shooting in anamorphic 16. ; i can only think of japon at the moment. And: 1. B&W stock. i'm looking for low contrast and as little grain as possible (goodnight, and good luck is an example - i'm sure th?ey did a d.i. - but it'd be interesting to know). 2. What are considered the sharpest lenses on the market I could rent? 3. f i'm shooting inside a loft, in a very open area with big windows covered only by silk curtains, how many hmi's would i need to pretend it's daytime for a medium shot (40mm). Thank you!