Cody Lundmark

So like I have stated before, I am currently in film school. I am shooting a film about a homeless man who goes into and out of vivid hallucinations of a different life. I am trying to figure out a way, in camera, to convey to the audience when he is leaving reality. I was told about the clairmont Squishy lens. However, I dont have the money to rent one. We will be shooting on a Arri SR2. Is there anyother cheap way to pull off some kind of cool visual affect similar to the Squishy lens?

Just what it says, what is a good vomit recipe?

Thanks everyone for your insight. I thought very hard about all options presented here. Yes, we may be students but we still have common sense. I know that we can pull this off without using green/blue screen successfully and safely. On a professional set, green screen is a legitamate option. On a student production, It is very difficult to make it look acceptable. We really want to pull it off without much post work. The forklift idea is the one for us. One camera inside and two ouside low angle should do the trick. Thanks again for the responses.

So I am shooting a film that requires a scene in which a car rollover takes place. I was going to actually roll a car until my professors at my school found out about it. I came to a compromise to have a junk yard car pushed over with a bobcat. Any tips on how, if possible, to make this look as real as can be?

I am a student trying to some how magically shoot a film on the 235. I understand that this camera is M.O.S. My question is, how noisy is it? Is it possible to shoot with location sound or is it pretty loud?