Henry Andersson

You should go for 16:9, to get the best quality, as you said your self. If you´r going to shoot 4:3 and then make a "fake" letterbox or 16:9 you will lose some badly needed information in your shots. Since the camera have 1/3" sensors, you will need all the quality you can get to make a 35 mm blow up for your theatrical release. Good luck,

Thank you for the great information you gave me. Is it a good idea to run the shutter at 1/125 or 1/250, to give a nice looking slow-motion in post-production? Or do I have to work that out in another way? Thanks Mike,

Thanks, I get your point about the frames. It should be 25 fr/sec. So the speed issue has nothing to do with the shutter in this case? Both camera and DAT should be working in the same speed, whatever shutterspeed I use on the camera? For instance, can i put the shutter at 1/125 on the 900P, to make a sharper slow-motion in the editing, even if I shot the rest of the film at 1/60? You see, I have very little experience in the IMX-camera and the progressiv area. What do you think of the idea by running the shutter at 1/60 to make it look more "sharper", without getting a to "jerky" image? Thank you!

Hello, I have a question about the shutter on the Sony MSW-900P camera. We have just finished the shooting of a commercialfilm. What happens if the shutter stands on 1/60? (I worked with a PAL-camera) Does it have any affect on the sync, on the DAT-player? Does it affect the idea of making a blowup copy on 35 mm? Or does the camera still working with 24 progressiv frames per sec, no matter shutter-settings? The thing is that I have heard that if I set the shutter on 1/60, it would make the picture to apear more "clear" and "sharp", without having to much affect on the picture? Am I right? Or is the work a disaster? Can someone help me with this? Thank you! Henry