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Joshua Dannais

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  • Occupation
    Student
  • Location
    Los Angeles
  1. anyone have any suggestions where to find the best deal on P2 cards? p.s. not interested in firestore. thanks
  2. I've been searching about dimmers and inducing flickering... please correct if i've misunderstood: from what i've gathered you can make lights flicker by hooking them up to a dimmer and turning it down... but how would you induce the flicker without reducing the amount of light emitted? I would like to make a porch light on a house flicker as if it were broken... thanks
  3. thanks chris... but are you talking about a flash light, or something like a hmi?
  4. this is on a npr, optical electro house in culver did the s16 conversion... i tried to figure it out using a chart but couldn't get it lined up enough.... anybody know what it is? thanks
  5. awesome, thats big help... i didn't know that. thanks
  6. thank you... On my light meter 640 was the next click up so I thought that was a stop for some reason. How did you come up with a shutter speed of 1/3? Is it half the speed three times: 1/48 -> 1/24 -> 1/12 -> 1/6?
  7. I'm using a slow lens on a slr to take reference pictures of locations i'm planning to shoot on 16mm... since the lens is slow and I'm planning to use a zeiss prime for the 16mm shoot, would shooting the stills at f4 rated at 1000 iso give a similar result as shooting at f1.4 rated at 500 iso? thanks
  8. David, What I've been doing research for is something that i want to shoot very early in the morning using sodium vapor street lamps. I'm trying for a darkly lit foreground against a very saturated blue sky. I would like to shoot without any filters using a zeiss super speed. I'm going to use a nikon SLR for some scout type stills, hence the SLR question... do you think shooting around 1.3 and using a fast stock, possibly pushing one stop, it is possible to achieve a similar look? John, thanks... I'll grab a copy of Bandits when I get a chance.
  9. Heat, shot by Dante Spinotti... any ideas on which stock would be a good choice? Also, on a SLR how would I simulate pushing one stop?
  10. which stock would be a good choice for reproducing a similar look... my guess is shooting tungsten in the early morning uncorrected. thoughts and input appreciateded thanks
  11. would the outcome look the same? what would be the difference? thanks
  12. Thanks Tim, but I want to do everything in camera and by stock selection. Will, I'm going to look into the double-x negative
  13. poop, didn't realize that somebody had already posted.. sorry for the double post
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