Dave Rocco

The camera is properly powered at a fully charged 16.8 volts. Is there an adjustment to be made on these constant-speed motors?(not the variable motor) Or does anyone know someone in the LA area that works with these cameras? Any help would much appreciated.

Hey, thanks for the 12x12 idea...thats what i was thinking, but I thought it might act like a huge sail up there...but its not that windy. So, does everyone else generally agree? is there anything else that would help the consistency? Thanks, Dave

Color 16mm film shot on a rooftop. I am in a wide open space and know that I will battle raccoon eyes most of the day. My thoughts are to bounce light in the close ups and use reflectors for the two shots. Is that about all I can do? or should I look into massive silks. The whole film is shot on this rooftop so I will need a solid system that will look consistent day to day assuming we shoot on bright sunny days. The story calls for a hot day so silks don't sound right to me. What am I missing? Thanks, Dave Rocco