Clayton Moore

Hello I need recommendations for small G&E corporate interview packages in the following cities: St Louis, MO Kansas City, MO Detroit, MI Chicago, IL Cincinnati, OH Minneapolis, MN I will be traveling light with another shooter so we will handle the setup, we will just need to have the gear dropped off and picked up from our shooting locations. Thanks! Feel free to contact me directly at Cmoore89@gmail.com as well.

I Own an XH-A1S and it is an amazing camera for the price. Out of the box the camera shows a lot of red bias in the images, so I suggest a hot mirror filter. Here is some footage I shot with mine recently that was not color corrected. You can see both the great quality of the picture, and also the red bias (I've been meaning to color correct this but just haven't had the time!). There are tons of options in the camera to dial in exactly what looks you want. I highly recommend the XH-A1s. http://www.vimeo.com/10504974 Clayton Moore

Hello, if anyone would be kind enough to give me some feedback on my different demo reels I would greatly appreciate it. I'm looking for advice on how to make them better, either editing, shot selection, color grading, or music related. Also if you think my reels are lacking certain types of shots that should be there. Let me know any and all comments and criticisms please! claytonmooredp.com/reels Thank you very much!

Peter, thanks for your comments. I'm sorry it took me so long to respond, but I've been a bit busy lately... thats a good thing I guess. :) The settings I used on the camera were pretty straight forward. I started with the Cine2 gama, and Cine 2 color matrix. Everything else was left pretty flat, notable changes were decreasing set up and sharpness a touch. I also pulled down the RB Matrix, and the GB Matrix quite a bit down near -12 each. I didn't have any budget for lights so most everything was shot daylight with white bounce cards. On occasion for night shots I did have a China Ball with a 200watt bulb on a dimmer, and two garage worklights from Wal-Mart. Those usually ended up gelled blue to light up the background. Most interiors I shot using existing florescent light for top light, with lots of gain to introduce grain to the picture, and with the intentions to push it toward blue in editing. The sign was shot with the camera, if you notice we took a still shot of the sign, and added the numbers counting down with after effects and also the slight push. I agree with you about the trailer, it wasn't completely my choice, its a zombie film and the other producers were hesitant to introduce that aspect of the story to prevent anti-zombie types from immediately dismissing the film. I think it makes the trailer a little bit mish-moshy myself... you can't really tell what is going on. Thanks for the note on the gunshots too... there actually is a foley sfx in there already, maybe we will just add more "oomph" to it. -Clayton Moore claytonmooredp.com

Hello guys, I don't post here often but I read tons and tons of posts every day. Wanted to show you my latest project, we shot a feature length thriller in Canada on the XH-A1 last summer. We are just now finishing up post production and I wanted to get your thoughts on the trailer. I'm very pleased with the results from this camera! http://vimeo.com/2155129 Enjoy! -Clayton Moore www.claytonmooredp.com

Hey does anyone know a website that has downloadable F900 settings for my memory stick? Thanks!