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Ben Rowsell

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Posts posted by Ben Rowsell

  1. Original Transvideo Stargate full HD resolution monitor.

    Comes with:

    1 X Transvideo "noga" arm

    1 X backup Transvideo arm plate for monitor end (used this with Ultralite arm, has 1/4" thread)

    2 X RS Power cables to straight XLR

    1 X Lemo 2 Pin power cable to elbow XLR

    2 X Ptap power cable (1 to elbow XLR, 1 to straight)

    2 x BNC cables

    1 x monitor soft cover

    1 x magnetic screen protector

    I don't have the original case available, but I do have the cutout foam, and can ship this with everything  in a pelican case, or can package down depending on your preference.

    Asking $1800 obo

    Note: Zoom button is sometimes sticky, this has not been an issue for me as I never zoom the image. Is on firmware as shown in the photos, I have never needed to upgrade.

    Shipping from New Zealand

    Note: not all cables shown in photos as there were upload limits

    DM me.

    Ben Rowsell

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  2. 1 X M26VE (Stanard), 1 X M26VE (High Torque model), 1 X M21VE

    M26VE Standard: Full Set of 4 X gears (0.8, 0.6, 0.5, 0.4), 19mm Rod bracket with 15mm inset. Asking $1000

    M26VE High Torque: Full Set of 4 X gears (0.8, 0.6, 0.5, 0.4), 19mm Rod bracket with 15mm inset - note: in the photo the 0.8 gear is worn, this will be replaced with a new gear. Asking $1000

    M21VE: Note: this is the standard smaller M21 motor, not the "L" version. I don't have a complete gear set for this, the 4 gears are included however they are missing the centre metal spindle, so these will have to be sourced, or perhaps you already have some. Also has 19mm rod bracket but no 15mm inset. Asking $500

    Also available another full set of gears for the M26 motors including: 1 x 0.8, 1 x 0.6, 1 x 0.5, 1 x 0.4, 1 x 0.8 Wide, 1 x 0.8 Oversize diameter wide with offset.

    Shipping from New Zealand

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    • Premium Members
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    • Location: New Zealand
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    Cforce Plus: Used but not extensively. (mostly went for the smaller mini & RF motors) Will come with 15mm rod inset and 0.8 pitch gear as "Basic Set". New price on B&H is $3360. Asking price $2000 obo

     

    AMC-1: Brought as backup system but have never needed, so more or less new. Used a handful of times to setup a discrete motor for a rota Pola, but otherwise it's been in storage from new. Comes with mounting bracket and the following cables:

    Hirose Cable for Sony

    Ptap Power

    Alexa Mini EXT Power/Run

    3 Pin Fisher RS Power/Run

    Red Power/Run (Split to Ptap+Lemo 00 4 Pin)

    New price on B&H is $2690 + around $200 each for cables plus the bracket, so close to $4K new.

    Asking $2000 obo

     

    CML5 motor, used once from new as an iris motor on a feature film, comes with 0.8 pitch gear and spare cable.

    New Price on B&H $2640 + backup cable $180 = $2820

    Asking $1200 obo

     

    CML4 Motor, used once on a feature film, comes with 0.8 pitch gear and spare cable

    New prince on B&H $3190 + spare cable $180 = $3370

    Asking $1500 obo

     

    Shipping out of New Zealand

     

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  3. Hi, having a clear out, spare Heden motors available. These were used as backup / alternatives to Preston on a HU3 / MDR3 system.

    1 X M26VE High Torque Spec

    1 X M26VE Standard

    3 X M21VE-L

    Range of accessories as in photos including, loads of standard gears (various gear pitch), wide gears, offset gears, oversize diameter gears, long throw rod brackets, 15mm, 5/8th PV and 1/2 inch insets, etc. Can also throw in a couple of motor cables too if needed.

    (note I have another photo of additional 19mm motor mount brackets which would't upload - in total there is 1 standard bracket per motor and additional 3 X long throw brackets.)

    Please Note,  I no longer have the means to test these motors so can't report back on noise, etc. All I can say is they were working when I last used them. Would prefer to sell as one lot, but open to breaking up if not.

    Shipping from New Zealand

    Open to reasonable offers

    Any questions please ask.

    Thanks

    Ben Rowsell

    +6421999515

     

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  4. Full kit. Main components are: MDR3, HU3, F/I, Radio MF, DMF2, DMX1, DM2, DM2, Heden motors, all Light Ranger 2 ready, cases, cables and accessories.

    Direct message for photos and further details, serious interest only please.

    nzben@yahoo.com

    Ben Rowsell

  5. Considering disposing of a comprehensive kit, please PM / email for further details if you are seriously interested, no low ball offers.

    Kit includes:

    HU3 Handset

    MDR4 4 Channel MDR

    MDR2 2 Channel MDR

    VLC 1 Channel MDR

    DMF2 Microforce

    Radio MF
    F/I Handset

    DMX1 Motor

    DM2 Motor

    DM2 Motor

    DM5 Motor

    Heden M26VE Motor

    Light Ranger 2

    Thanks

    Ben R, 1AC

    nzben (at) yahoo (dot) com

  6. <Interesting you should say that, because for a very long time, Columbia (owned by Sony) didn't release a single feature that wasn't shot on film.>

     

    I was involved in a Columbia shoot a few years back around the time that the Genesis (aka Sony 35) was in use. Pre Arri, Red, etc. There was requirement from the studio that we shoot on that camera. None of the creatives wanted to, and in the end we had to shoot extensive tests replicated on both formats to prove that 35mm film (the only real alternative at the time) was the better option. Of course the tests were shot in such a way to show the weaknesses of digital at the time, but thats another matter.

     

    So I can't comment on company policy, but in that case there was certainly at least a lot of pressure from the studio to go down the digital road.

     

    Ben R

    AC

     

  7. Increasing the gear size on the follow focus will gear it up and give you less turn on the focus wheel relative to the lens. You want to go the other way and gear down (smaller) so that any given amount of turn on the focus wheel gives you less turn on the lens, to be more accurate. I believe the smallest gear available is 35 teeth. Another way is to use a 2 speed system such as on the FF3, and put it into slow gear. That will effectively extend the range of the lens. Try and get a FF with no lag or the marks will be well off as you change direction.

     

    The most effective way to do it as mentioned above by Satsuma is to use an electronic system that allows you to expand the range of the lens relative to the handset. This will be a lot more effective than gearing down a manual follow focus. Again, the smaller the gear size the better, so in theory something like a Heden M21, Preston DM4, or Cforce Mini with smaller gears will have to make more turns to get to the lens limits, so the resolution and accuracy will be a bit better than a standard motor

     

    Ben R

  8. "I really love that there is no extra weight on the Alexa (Preston brain)" "you will be happier and your back will live longer!"

     

    Something that is often overlooked:

     

    (apart from an Alexa Studio, as it is always a Plus camera) On other Alexas the Plus is heavier than a non-Plus: e.g. Alexa XT = 6.6kg, Alexa XT Plus = 7.3kg. Thats 700g more on the camera body to get the integrated system working, which is heavier than a 3 or 4 channel Preston MDR.

     

    There are also options for motors that are lighter than the standard Arri CML4s, etc. Even using the Arri UMC4 system (external brain) on a non-plus camera is significantly lighter. And you can run a single channel system for even less weight.

     

    Just saying.

     

    Ben R

  9. I've seen this on an F65 before. The DOP liked the way the camera/lens combo flared/bloomed in testing so we went with that package. Nobody thought too much about it until we got an additional 3rd party body in and it didn't flare in the same way.

     

    The conclusion was that the original camera bodies had previously been used on a show that had very high levels of oil based smoke FX. Over time the air filters in the front of the camera had become clogged and allowed oil to pass onto the optical block and leave a film of residue over the glass in front of the sensor.

     

    We left it for the rest of our shoot (as per DOPs request), but after the movie the optics were cleaned and filters replaced, and the image went back to "normal" I guess that the issue hadn't been picked up on the previous show as it had happened gradually over a period of time towards the end of the shoot.

     

    Ben R

    1AC

    NZ

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