Andreas Wood

SOLD

BUMP. New price: $1,200 (like new)

Eye Direct Mark II Teleprompter and on-camera eye contact beam-splitter. Identical to the package listed at B&H (except this one includes an additional foam Donut for larger lenses): https://www.bhphotovideo.com/c/product/1352708-REG/eyeliner_mkiicombo_eyedirect_mkii_with_foam.html Used but in Excellent+ condition $1450 plus shipping

A feature-rich 7” monitor package with everything you need to go from your desk to the field: Integrated AB Gold mount plate Desktop stand Metal shade AC power supply D-Tap power cable Hoodman H-R7 Spare hardware Pelican 1400 case Used but in very good condition. There are two very small blemishes on the face of the screen, which are barely visible when the monitor is on (pm me for more pictures). $1,100 plus shipping LVM-074W : The Most Comprehensive 7” HD LCD Display Available The LVM-074W features a high-resolution (1024x600) 7” LED backlit LCD panel housed in lightweight (600 grams) yet durable magnesium alloy case. An ideal monitor for the latest compact cinema cameras, the LVM-074W offers a wide range of professional features including: Waveform/Vectorscope, built-in HDMI to HD-SDI conversion output, Horizontal and Vertical Image Flip, Focus Assist, Audio Level Meter and more. A feature unique to the LVM-074W is TVLogic’s new user selectable Temperature Adaptive Color function that measures LCD panel temperature and automatically compensate the white balance drift caused by a cold or hot weather. LCDSize7" Resolution1024 x 600(16:9) Pixel Pitch0.15 mm Color Depth16.7M (True 8bit) Viewing Angle(Typ.)170 °(H)/170 °(V) Luminance(Max.)400 cd/㎡(Center) Contrast Ratio800 : 1 Display Area154(H) x 90(V)mm Input1 X HDMIHDMI Inputs 3 X RCAAnalog Video Inputs 2 X BNCSDI2 Channel Inputs Output1 X BNCSDI Channel Output (Active Loop Through) 1 X HDMIHDMI - HDMI, HDMI - SDI (Conversion) Input Signal AnalogCVBS / S-Video / Compnent Video / RGB 3G-SDI2.97 Gbps HD-SDI1.485 Gbps SD-SDI270 Mbps HDMI480i/480p/720p/1080i/1080p Analog Input SpecCVBS1.0Vpp (With Sync) S-Video1.0Vpp (Y With Sync), 0.286Vpp (C) Component Video1.0Vpp (With Sync), 0.7Vpp (Pb, Pr) SDI Input Signal FormatsSMPTE-274M1080i (60 / 59.94 / 50) 1080p (30 / 29.97 / 25 / 24 / 24sF / 23.98 / 23.98sF) SMPTE-296M720p (60 / 59.94 / 50) SMPTE-260M1035i (60 / 59.94) SMPTE-125M480i (59.94) ITU-R BT.656576i (50) Audio INEmbedded Audio / Analog stereo (Phone Jack) Audio OUTAnalog stereo (Phone Jack) / Internal Speaker (Stereo) PowerDC 12V Power Consumption (Approx.)16 Watts(DC) Operating Temperature0 °C to 40 °C ( 32 °F to 104 °F ) Storage Temperature-20 °C to 60 °C (-4 °F to 140 °F ) AccessoryAC Power Cord / DC Power Adaptor / Camera Mount Support Features • 7” 1024 x 600 (16:9) Resolution• User Aspect • White LED Backlight• Blue Only/Mono • Matte Finish Panel• H/V Delay • Horizontal & Vertical Image Flip• Focus Assist • Hard-Coated Acrylic Filter• H/V Flip • Max Brightness On / Off• Luma(Y') Zone Check • Timecode Display• Zoom • GPI(RJ45)• 3G-SDI Level A/B • Waveform/Vectorscope (Y/Cb/Cr, Wide Type, Line Waveform, Full Size)• UMD Support (ANC, Manual, Dynamic and User) • Supports TVLogic Color Calibration Utility for Proper Color Alignment• Closed Caption: CEA-608/708 (SDI) • Range Error• Monitor Control Using RS422 • Marker• External Tally (Option) • Magnesium Housing, Light Weight Closed Caption CC-608 ANC, CC-608 LINE 21, CC-708

Bump

Awesome, thanks, Kirk!!

Does anyone know if it is possible to change the lens info displayed in the viewfinder from Metric to Imperial?

For sale: Like new (Purchased for a special shoot and only used once), Eyedirct Mark II TTL/interview rig (an analog "Interrotron"), which can also be converted into a traditional prompter with an iPad. This kit is identical to the one Eyedirect is selling new for $1,740. You can read all about the kit at http://eyedirect.tv/product/mark-ii-with-foam-fitted-rolling-travel-case/ $1,250 Local LA delivery available OOT Buyer responsible for shipping and fees email: andreaswood@me.com

Interesting article, Brian. I was about to post that I think the EX-3 must have some sort of composite plastic when I saw your post... it might be something like the fiberglass reinforced plastic mentioned. I say this because I have owned an EX-3 for almost two years now and, although I'm not abusive on gear, it has seen a fair amount of travel and use (and incidentally, Bwana, although I was also initially a little concerned about the bodies durability... it has performed flawlessly and consistently). Anyway, there are some areas on the camera body where the top layer of plastic has been scratched or worn away revealing a silvery under-layer of what I at first thought was aluminum but certainly could be fiberglass.

Not without a 35mm adapter like a Letus, Redrock, etc. However, if you had one of those with a PL mount and a Bayonet to PL adapter it might work. I'm assuming your lenses are 35mm (16mm would probably still work... but you would obviously have to zoom in on the ground glass quite a bit). I know there are alternate mounts available for most adapters but I have not seen any with a Bayonet mount.

Did you select the wide angle option in the camera menu? It's called "Wide Conversion" and is in the CAMERA SET menu.

Try Abel-CineTech in Burbank: http://www.abelcine.com/store/home.php I'm pretty sure they rent both the EX-1 and the Mini-35. Perhaps they can help you out.

Here's something: http://www.cinematography.com/forum2004/in...showtopic=20298

Hey, fist time posting on this forum. So, ummm.... please be gentle. :P No budget for 35mm? Right (you were kidding weren't you?). While I have no personal knowledge of what they used on the Usher shoot I have worked with this filter in the past and achieved similar results: http://www.vantagefilm.com/file/pdf/equipment_24.pdf Quite pricey as I remember but pretty convincing. I believe there are some old threads discussing this topic somewhere on this forum.