Martin Kunert

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewI...em=200235946333 Take a look. Great condition. Little used. Never a rental unit.

HPX 500, plus lens, 4 16GB P2 cards, Chroziel Matte box, Fujinon lens, tripod, 2 anton bauer batteries plus charger, for rent. $400 per day. $1200 for the week. Also have Panasonic Monitors, Brevis35 with 35mm lens, flos, HMI, grip gear, etc, for rent. Email me if interested.

I don't know. This is a cinematography forum and I'm looking for cinematographers. I could always write the headline in a boring, straight way... "looking for DP"... but what the hell... we're suppose to be creatives, so why not get creative with the writing.

On VOICES OF IRAQ, everyone was paid. That was a fully financed, theatrically released feature film. Same goes for my other commercial ventures. This is different. What I'm talking about here are experiment shorts, the budgets of which come out of my pocket. The actors aren't getting paid, neither are the make-up people, other crew, or me. The purpose of these little films is to take creative risks - not to be sold. If they fail creatively or cinematically, it's no big deal. You do them again, or try something different. Actors get to practice and stretch their craft in class - where do other creatives get those opportunities? No where. That's why I'm putting these together. The current short I'm working on involves a IRREVERSIBLE like narrative style... except taking it further into what looks like one long take that spans several scenes and days because the lead character has no perception of the intervening events. Where else will you get a chance to see if that's possible. That's what I find so cool about doing these things. I hope some people out here do too. Plus, I have yet to meet person who made money off their short. :)

Opps.... forgot... My email address is : m k u n e r t (at) X b o o y a s t u d i o s (d0t) com (removes the spaces and the "x") thanks again! m-

I'm a writer/director who has made features, tv shows, reality shows, docus, etc (google my name) in the indie world and for studios and networks (CBS, MTV, Paramount, etc). See VOICES OF IRAQ, MTV's FEAR, CAMPFIRE TALES. With other professional in the industry, I'm shooting experimental shorts, pushing ourselves beyond the plain vanilla of what the industry expects from us. The purpose of these films is for everybody to challenge themselves to go beyond the ordinary, to push our boundaries as artists. Now I'm looking for DP's to contribute to these shorts. There is no pay (nobody is getting paid). Working on these shorts, you can build you reel, push your skills into doing things filmmakers haven't done before (it's what I've done in the past, google VOICES OF IRAQ) network with working actors and writers/filmmakers, and do something really f*cking cool. We're not students make student films. All the people working on this are pros. I already have a basic camera package (HPX-500, matte boxes, and other goodies) and working grip/lighting trailer (with flo's, lot's of lights, flags, etc) So we're not tied to raising money for these shorts - we just shoot. Since we're not burning money on these, we free to take risks we wouldn't otherwise. If this gets you psyched, email me a reel or a link to one. We shoot in LA. Thanks! Martin Kunert

Hi there, I'm an LA based writer/director with my own equipment (listed below). I'm shooting experimental shorts, scenes, etc with friends, and am looking for crew. Gaffers, grips, dp's, make up, art directors, etc. I'm looking for crew who will work in exchange for getting free rentals on equipment. Here's how it works. We agree on a day rate for you work. You bank that day rate with me and can use it toward the rental of my equipment (which I use or rent for money otherwise). If you're interested, send me an email and resume. Email: info at booyastudios dot com Thanks Martin Kunert www.martinkunert.com Here's my equipment list -- which is growing: GRIP TRAILER 1 Cargo Trailer. Interior rebuilt. Spare tire. Inside has shelving and store mounts for flags and stands. GRIP TRAILER CONTENTS 1 Cobra Crane 2 with extension. 2 Equipment trolleys 2 Solid black flags 3 Small flags, solid, and silk 1 Indie dolly, with 12 feet of straight track 2 CL-255 2 bank studio coollights, (like kino flo). 8 CL-255 Coollight blubs 56k 25k 4 stringers 1 film tools car mount. 3 cups, rods etc. Holds up to 200lbs. Safely rated for 50lbs. 7 scrims for 2k, a few small scrims for 1K’s. 3 foldable silver reflectors 1 6x6 overhead. Single, Double, Polysilk, black fabrics. 1 low roller 1 2k stand 2 high rollers 2 stands 3 c-stands + extensions. 2 2K Mole. 4 JD stands 1 1K BNM 1 1K Mole. 1 Ladder 1 Box of various grip tools. MISC CAMERA PACKAGE 1 HPX 500 1 Fujinon HD lens, 17x1 with 2x extender 1 Anton Bauer 150 Hytron battery 1 Titan Charger 4 16GB P2 cards 1 Varizom Power unit to power camera from wall 1 Chroziel Follow Focus, with Fujinon and Standard Gears 1 Chroziel Matte Box, 1 Chrozeil LWS (rods) 6 Chroziel Rods - 2 long, 4 short 1 Zacuto Rod Riser 4 Zacuto Rods, 2 12", 2 7" 3 ND filters, water white: .3, .6, .9 1 35mm Brevis 1 Brevis Flip 1 Panasonic 8" monitor, pixel for pixel, focus in red, waveform 1 Monitor Hood 1 Camera Rain Cover 1 Padded travel bag for HPX500 1 Manfrotto 525MVB tripod 1 Manfrotto 516 head 35MM LENS 1 Sigma 14mm 2.8 1 Sigma 20mm 1.8 1 Nikon 28mm 2 1 Nikon 35mm 1.4 1 Nikon 50mm 1.4 1 Zeiss 85mm 1.4 1 Nikon 135mm 2 1 Sigma 17-35mm 2.8-4 1 Nikon 24-120mm 3.5-5.6 ADDITIONAL LIGHTS 1 CL-655PMD Cool Lights Portable Dimming 6 banks (kino flo like) 1 CL-MF0575 Cool Lights HMI Fresnel (=2400w tung, draw 575w) 2 CL-MF0150 Cool Lights CDM Fresnel (=650w Tung, draws 150w) 4 DTW150 150w Tungsten Fresnel "inky" 12 Coollight bulbs, 56k and 25k 8 c-stands MISC EQUIPMENT 1 8X8 foldout green/blue screen - lastolite 3 Production dimmers Various pig noses, Chinese lanterns, etc AUDIO 1 Panasonic Shotgun Mic 2 Wireless Mics – Lavs, transmitter, receiver.