I actually shoot very long takes as part of my normal working process. I improvise a fair amount and improvisations are rarely short! I have worked on 35mm and 16mm in the past on my longer projects, but after seeing the results we got on a 2k grade with a short super 8 section (within a 16mm film), I became excited about the idea of making an entire feature on Super 8 or DS8 as it seems modern technology could breath new life in what is possible from this tiny 8mm beauty.
I bought the Leicina Special as it seems to be highly regarded in terms of sharpness and image stability but as with all things, the more I dig around, the more exciting options seem to get unearthed. My aim is not to try and make 8mm look like 16mm or 35mm, but to simply get the best that can be achieved from the 8mm negative whilst retaining it's own natural aesthetic and character.
As I say, seeing how well it has integrated into my 16mm project in the High Def grading process has been a real eye opener and I'm sure that with that kind of technology, the best of the old super 8 technology and the right story, something really special could be produced.
Apart from the Beaulieu 6008 with the 200ft cassette adapter, is the only other option to go DS8 to get longer run times?