Wes Fribley

Yeah my first reaction was to do the silhouette thing by bouncing some serious wattage off the back wall (at the end of the hallway) and then add in splashes of fill through the doors that line the hall. But I'll consider using the existing fluorescents and just go out and get some high CRI tubes. Thanks for the input! I am going for a bright natural (flatish) look which is one reason I was a little skeptical of the bouncing method (although that would be an excellent way to light a night hallway scene). The hallway is an eggshell blue.

I'm lighting a shoot that involves a dolly shot down a long hallway. I've got a five-point Mole-Richardson kit (1K two 650s and a 350 and a 150) as well as three HMIs. I'm fine in the mids and closeups, it's just the master shot that I'm a bit worried about. Ideas?