Van Royko

I think for this test to be accurate - the two formats need to be color corrected in the same codec and on the same system. Is the davinci making the colour correction off of the scan? If so- the available bandwidth is much greater than pro res 4:2:2 in Color. I think Red cine would provide more latitude from the footage than pro res and Color. There is however, very little doubt in my mind that more highlights can be recovered from film.

Hi Im wondering about some of the strobe strategies employed in this clip http://www.youtube.com/watch?v=b86YSKrCM0c. Sometimes the strobe appears to cross over Jay-z's face. Is this a programmed light? Post Production? Flick of a reflector? I would also very much appreciate any commentary on laser-esque backlights. Are robot show lights the way to go? Are they strong enough to keep up with warm fill at 250 asa? Are they difficult to program? Thanks in advance