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Mustafa Umut Sarac

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Posts posted by Mustafa Umut Sarac

  1. https://www.wellesnet.com/lens-attachment-reportedly-used-in-citizen-kane-surfaces-in-southwest/

    Have a good or better time with above article. You can find Citizen Kane , wide angle attachment picture below.

    I have surfed the web but I couldnt find any information . Who were manufacturing aspheron attachments at 1940 ? Is there a archive , patent number , prescription , catalog , designer , glass , manufacturing technology belong to the pictured aspheron ? I want to learn everything about it .

    Thank you very much,

    Mustafa Umut Sarac

    Istanbul

     

     

     

     

    JB-Turner-Beatrice-Welles.jpg

  2. I am an photographer and old prepress man and retired  newspaper printing machines serviceman. I learned Welles used SuperXX and I found Fortepan 200 have the same formula of prewar Kodak SuperXX . But that film is no more in production since 2007. I found French Bergger 200 is new and have same formula as above.

    I want to develop my negatives as done at Citizen Kane movie. I need prewar formula , timing and temps and other steps. Tomorrow I am going to go to buy Nikon 24 + F601. And in few weeks , Bergger 200 reaches to me.

    If you know something , please help me .

    Thank you,

    Mustafa Umut Sarac

    İstanbul

    Retired

     

     

     

  3. David,

     

    Thank you very much for your reply. My friends at APUG informed me about tv factor at the same time with you..

     

    I think it was not good idea but additional 1.3x lens does not harm

     

    I want to record giant scene in to the film. I think LOMO would help. Look good bad ugly final moments , its a monster size view.

     

    I looked to LOMO Anamorphic lenses and they are cheap and built like a tank. Can I attach these monsters to a Film SLR camera where viewfinder cropped to Techniscope format and do what Spagetti Director did ?

     

    Is there a slide scan taken with these lenses and comparatively with normal camera lens.

     

    Would be the frame oval or rectangular ? Will there be vignetting or chromatic aberration ? Is Baltar better than LOMO ?

     

    Umut

  4. Hello David ,

     

    Thank you for your reply,

     

    You are right , I am extremelly new to subject.

     

    I saw a spagetti western and Clint was travelling with an horse and others in a rocky valley at the end of the movie. I saw it may be 15 or more years ago . Every one is so thin and long.

     

    I want that effect , I dont know its exact terminology or technology but someone told me it was 2 perf to 4 perf expansion.

     

    Can you help me ?

     

    I want to carry a viewfinder - diy or used , I cant buy new and diy is faraway more funny and cheap may be - to view everyone as that movie.

     

    Thank you ,

     

    Umut

  5. Hello David,

     

    Thank you for your reply , If I am not wrong , they take 12x35 mm and than print 24x35mm , my english is struggling to describe , but if it is not streched , may be expanded from 2 perf to 4 perf.

     

    I want a viewfinder which will simulate that effect , I know they are very expensive but printing a worse version with 3 d printer from clear acrylic would be very funny.

     

    Is there such a viewfinder , its patent or its research paper exists.

     

    Thank you ,

     

    Umut

  6. Angenieux Finder for 75mm on 10mm

     

    Hello there , I was looking for 35mm photograph camera with Angenieux lens and they were expensive. I found above and grabbed it without knowing anything about it.

     

    Can I use it alone as directors viewfinder or mount in to 35mm photograph camera as lens or make a DIY photograph camera out of it ? I am thinking using cine film.

     

    Tell me something,

     

    Thank you ,

     

    Mustafa Umut Sarac

    Istanbul

  7. I read many times that at Emmanuelle movies , operator was using vaseline to coat the lens. I found some horrible dslr shots with that technique at youtube.

     

    I want to know the technique and to my eye , skin tones was perfect , blacks were dense and saturated colors were strong , especially golden broderies were glowing , all resembles to me Hong Kong technicolor prints. Am I right ?

     

    Thank you,

     

    Mustafa Umut Sarac

    Istanbul

  8. I am an film shooter and deeply inspired with two color Kodachrome movies and some Kinemacolor restorations at youtube. Even for a youtube video , results are matchless. I only saw such a metallic colors at some modern kodachromes and I never seen such a beatiful skin tone anywhere at two color Kodachromes.

     

    It is too good to be true. Were all times watching the movies such that videos or is it a digital marvel.

     

    If it is digital , is there a tutorial , post , website or book to carry such film shots to that level ?

     

    Mustafa Umut Sarac

    Istanbul

     

     

     

     

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