My first time posting...so hi everybody!
Anyway, where to start. I'm shooting a short in a few weeks on miniDV (top quality, I know). The story revolves around two 30 somethings at a bus stop. Now, normally this would be a straight outdoor-lighting setup but the kicker is that we are filming in the writer/producer's backyard against painted backdrops. Here are some pictures:
http://www.facebook.com/profile.php?id=727...mp;id=727082781
http://www.facebook.com/profile.php?id=727...mp;id=727082781
In case you haven't figured it out already, the story's a bit surreal (but it was born out of our desire to control our surroundings rather than shoot at a real bus stop) so the script doesn't necessarily call for a complete other-worldly feel. However, all action (besides the actors) will be done by cardboard/paper cutouts (birds flying by, bus arriving).
I think I'm getting off topic. I've never lit flats before (especially outside) and was curious if there was a generally agreed-upon way to light them. I'm planning on using natural light for the actors (shiny boards, white foam core, etc.) as well as some tungsten Arris for backlights (we're on a really tight budget - well, actually, there's no budget, so we're using what we can find/borrow). I would rely on natural light for the flats but I'm worried the colors might not pop as much as the actors.
Any ideas?
Oh, and before anyone asks, I am planning on renting a 12x silk to control shadows from the grapefruit tree/back of the house.
My first time posting...so hi everybody! Anyway, where to start. I'm shooting a short in a few weeks on miniDV (top quality, I know). The story revolves around two 30 somethings at a bus stop. Now, normally this would be a straight outdoor-lighting setup but the kicker is that we are filming in the writer/producer's backyard against painted backdrops. Here are some pictures: http://www.facebook.com/profile.php?id=727...mp;id=727082781 http://www.facebook.com/profile.php?id=727...mp;id=727082781 In case you haven't figured it out already, the story's a bit surreal (but it was born out of our desire to control our surroundings rather than shoot at a real bus stop) so the script doesn't necessarily call for a complete other-worldly feel. However, all action (besides the actors) will be done by cardboard/paper cutouts (birds flying by, bus arriving). I think I'm getting off topic. I've never lit flats before (especially outside) and was curious if there was a generally agreed-upon way to light them. I'm planning on using natural light for the actors (shiny boards, white foam core, etc.) as well as some tungsten Arris for backlights (we're on a really tight budget - well, actually, there's no budget, so we're using what we can find/borrow). I would rely on natural light for the flats but I'm worried the colors might not pop as much as the actors. Any ideas? Oh, and before anyone asks, I am planning on renting a 12x silk to control shadows from the grapefruit tree/back of the house.