Vernon Rudolph

My buddy suggested that I use his SR-1 for a project coming up but mentioned that it was set for double perf. I haven't shot 16mm in years so I just went with it. That is the only reason I was looking into double perforated stock. I would be more than happy to find out that his camera is single perf after all.

Oops. Thanks for the advice. I'm off to call kodak, after I re-read the rules and regs :)

It has been hard to find 16mm double perforated film stock to use with an Arriflex SR-1. Does anyone have recommendations for a double perf color negative and a processing lab that will still process double perf?