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Kori Perez

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About Kori Perez

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    Cinematographer
  1. Yep, Beneath the Surface is wonderful. We will both be making films, but separately. Dana knows Pros and Ams. Everyone is kind of connected, still a semi-small industry. When I was a teen I met Taylor Steel and picked his brain, he just started following the pros, made friends, and the rest is history. Talking 16mm... Transworld skate vids is what started it all for me, and a little early 90's Jack McCoy.
  2. This housing is actually my friends. He filmed "Beneath the Surface" with it. I haven't seen any bag-type housings for the Bolex, usually a Bolex housing is custom made. Here's another: http://www.splwaterhousings.com/bolex_16.html The housing is like a tank in the water, Solid. You can't focus and it's difficult to see through the viewfinder. Winding is hard because the grip is in the way and you have to use your fingertips... Cold water is painful. All that aside, if you tough it out it's awesome and you can get some great stuff.
  3. Photo Support Systems Housing http://www.photosupportsystems.com/video-m...video-movie.htm Super 16 conversion done by jkcamera http://www.jkcamera.com/Super16.htm
  4. 2 test rolls of Fuji 64D stock. First couple times in the water with the housing. 1 roll at 64 fps in San Clemente at 204s at about F16 1 roll at 48 fps in Newport Beach at 36th St. with a 0.6 ND filter at about F8 HD Telecine done at Cinelicious, ProRes 422 1080p HQ Vimeo videos here: Can't wait for bigger waves and clearer water. Fiji in June! :)
  5. Who is going to pay for the stock, processing, and transfer? :) I have water footage with an ND 0.6 at F5.6... I'll post a clip or grab if interested
  6. Standard 10mm RX.. not preset Bright conditions, roughly F11-16
  7. Works like a charm... Switar 10 on a S16 Bolex http://corylange.com/snow.mov http://corylange.com/water.mov
  8. Will a collimator bench be able to fix the issue?
  9. I have a Bolex SBM that will soon be modified to super 16. I wanted a nice wide angle that covered S16 and I picked up a c-mount Kinoptik 5.7mm 1.8. It is a fixed focus lens that seems to be a bit out of focus thru the viewfinder. I think it needs to be collimated (?). Images only come into focus when I use the lens like a macro up close and personal. I'm sure this problem is due to my reflex prism. How would one go about fixing this problem? Thanks!
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