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Michael B McGee

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Posts posted by Michael B McGee

  1. Since Android has evolved I thought this thread could use some updating. I currently use:

     

    Celeste Lite (free) - Sun tracker

     

    DMX-DIP (free) - DMX to DIP calculator

     

    FilmCalculator ($40)- Calculates just about everything to do with film. DOP, lense angle, sun, footcandles depending on actual instrument, focal length, lens matching, etc...

     

    Bubble Level (free) - just as name says

     

    Mileage (free) - logs and charts a history of all your business driving.

     

    I have also found various other DMX tools but havn't implemented them into my work flow.

     

    Great thanks a lot, Mark. is FilmCalculator similar to pCam? i'm not actually sure what pCam has to offer or if you even know, but thought i'd ask anyways.

  2. If there isn't, we on this forum should totally come up one!

     

    My suggestion: Dan M. Blomete' which is an anagram for "Don't Blame Me"

     

     

    nice! what nationality would he be? he should have a website and a reel for all editors, directors, and/or producers to watch in order to remind them all why DPs are hired in the first place. New England Patriots'(American football team) head coach, Bill Belichick, has a saying to his players, "just do YOUR job!" i think that should apply to our line of work as well.

  3. many great films mentioned. i agree with the nominations for:

     

    There Will Be Blood

    The Diving Bell and the Butterfly

    The Lives of Others

    Downfall

    The Assassination of Jesse James by the Coward Robert Ford

    Y tu mamá también

    amores perros

    Lost in Translation

    No Country for Old Men

     

     

     

     

    in addition to those amazing films, here's my list (more then 10, but my brain started to hurt too much trying to narrow it down to just 10).

     

    excluding ALL docs and comedies and these are the English titles:

     

    the proposition

    crazy heart

    dot the i

    into the wild

    the motorcycle diaries

    before night falls

    capote

    garden state

    igby goes down

    little children

    maria full of grace

    monster

    monster's ball

    sexy beast

    sherrybaby

    the anniversary party

    The Assassination of Richard Nixon

    the matador

    The United States of Leland

    The Baader Meinhof Complex

    entre nos

    troubled water

    the squid and the whale

    the woodsman

  4. Two Sony 8gb SxS cards or one-8gb and one-16gb up for sale. ya see, i have 2-8gb and 1-16gb. i need to keep one for myself. one of the 8gb has hardly been used. heck, i only have 215 hours on my camera so balance that out between a 16gb and a 8gb and they're pretty much in like new condition.

     

    ok, a NEW 8GB sells for an average of around $480 US with S&H according to a Google search, so with my generous, near 40% OFF discount let's set the price at $300 USA OBO.

    and a 16gb NEW is still selling for $800, so with my very generous discount of 40% OFF, the price will be $500 USA OBO.

     

    8gb= $300 obo

    16gb= $500 obo

     

    IM me with an offer. i suppose that's how this works.

     

    thanks,

    Mike

  5. according to the editor, 97% was shot on the F23. check out the 7:00 mark of this interview. http://digitalcontentproducer.com/po..._enemies_0909/

     

     

    i just got back from the theater where i saw a film print. i could definitely tell which shots were done with the EX1. the angles were great but image didn't hold up very well. neither did the F23 footage for that matter. very noisy images even if in nicely light day exteriors. personally, the F23 and EX1 are not made for dramatic lighting for film-outs. S16 looks much better then this print did and today was Opening Day. the print should be flawless.

  6. Why would you want to see a digitally-shot movie in a film projection? Just seems a total waste of film to me. This should be somewhere where digital would excel, unless it is a really bad DLP projector.

     

    Anyway, not trying to be a jerk, just wondering why you'd prefer film. Only advanatage it has is colors and some resolution, which wouldn't be apparant in a camera that probalby has much lower bit-depth than MP print stock.

     

     

    well, i've never seen a film-out from this camera. that's the main reason. your points are valid, but they recorded to SRW decks with the EX1s and that method would produce a 10bit 4:2:2 image.

  7. Since I have an EX, yeah, I'm a little bit interested, but at the same time, I'm sure it will hold up pretty well. I just wonder if the rolling shutter artifacts, if any, will be any more pronounced.

     

     

    how often do you really notice the rolling shutter in your work? is it that common? what type of operating do you do? if you're noticing a lot of artifacts then i think you've been shooting for Oliver Stone too long. some of his movies give me headaches. ouch!!!

  8. Anybody excited about seeing EX1 footage on the big screen? i hope i get to see a film-out and not a 2/4K projection. either way, i'm kinda excited. ok, maybe just curious.

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