John Holland

I was told everything and met the Dp day before for a beer .

I got the job one day before the shoot via the then film union A.C.T.T . Production were asking for young camera operators and I was certainly young .

certainly was young.

Yes although I did not know it would be their last.

Yes thats me . I only was involved with shoot on the roof for one day . The same stock would have been used for indoors and out. Outside using a 85 correction filter bringing the speed down to 64asa.

Didnt wear specs or smoke spiffs ! Mark . Its me on the wide shot with a bit of London in background .

I was using An Arri BL , Yes on rooftop shooting Get Back , back of my head is seen a few times I was lying down on the floor in the front . Yes 400ft loads . That is all the answers i can give you sorry .

It was shot on 7254 I know this as I was one of the many operators on it .

Dan Mindel will be shooting Episode 9 of Star Wars in prep now .

David didn't own any lenses or any equipment apart from light meters , two of which I have .

Yes Badlands co-photographed by your Father .

That would have been Eastman 5247 100 ASA he may have pushed it a stop very common with that stock then.

No she is in it ! Be even worse on a TV screen .

I have seen this twice now first time Imax 15/70 film print only print in Europe usually my favorite way to watch .In this case oh a dear a very grainy odd looking print not good at all. Second time a 4K DCP on a very large screen looked so much better . Wasn't impressed with the Cinematography run of the mill ordinary stuff. As for the film it was ok lots of silly story lines way to long came away feeling a bit let down.

It was the first stock I had to use when started at the doco. company I worked for. So as David said it was a lowish stock that was then printed onto a Kodachome release print stock . One of the first films I had to shoot was a Medical training film a hip replacement to hold the depth of field I need a stop of about 5.6 I used so much light that blood in the wound started steaming ! Not a great time .

Nice stuff Stuart .

On my opening post I said 80's film references meaning nods to Spielberg and other movies of that era not about the look of this series although I do like the look of it even though it was shot on a Red camera .

What a great series this was so many 80's films references plus looked fantastic .

Looked very nice .But I have no idea why money was wasted on a remake of a good Don Siegel film.

Cinelab did not have their 65mm line running when Dunkirk was shot it came on line months later .

It wasn't shot on the Alexa 65 .

Episode 3 I thought was a lot better than the first two.

Here in the UK I can watch it on Netflix which I did first two so far not sure about it yet .

Guns are know way cool !

Use a 2/5/10 k lamp with a fresnel lamp but remove the lens and you will get the effect you want .

Full cutouts with a few humans moving around in between .