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Renato Timoteo

Basic Member
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Profile Information

  • Occupation
    Cinematographer
  • Location
    Mexico, Berlin
  1. We (director & Me) are thinking seriously to frame for the 2.35:1 in S35, I guess this would be quite risky, do you know any movies that went this way? I guess there are several. Another main concern for me is the post production work flow and facility, any suggestions or advises? David, Árni, Thanks for the Comments!
  2. Renato Timoteo

    Super 35

    Hi to everybody This is my very first thread here so I´m kind of exited about it, and the reason for it, is because I´m prepping a feature film to be shot in super 35- 3 perf. First of all some general info about the production. This is a low budget film but with the capability to afford the S35 route, we are based in Mexico City and the idea is to move the post production to the United States. This is going to be my first experience in the super 35 realm so I have some questions to those who already have walked that path. What should be my main concern about this format? i know this is to vague for a question but I think is good for starters. Besides the personal taste what would be the best optic for S35? (highS, masters, cookes, etc.) Based on the experience , what would be the best post production facility to undertake the DI work flow? (this means from Processing to Release Print) I know there are plenty of them, but i would like to read some comments about a few of them. well this is pretty much it for now, any other comments are welkome. Thanks for the time. R.T.
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