Waqas Qazi

Fellow artists, my name is Qazi, I am a professional Cinematographer, Editor, Colorist in LA. I run a studio called The Post Village. For those who are brand new to filmmaking and not sure what's next. Let's start here. I curated a list of essential PRODUCTION gear you need to get started and become the ultimate content creating machine. Watch the FULL video here: FREE LUT (Teal and Orange) included for those who are interested. Created from scratch by me. I will show you how to properly use it at the end of the video. Check the video description on You

10 NEW FEATURES in DaVinci Resolve 16 BETA 2 In this video, I will share my top 10 favorite features that are newly added with the latest BETA 2 update in R16. If you are on the fence and need a nudge to upgrade to Resolve 16, this video might do the trick. FULL VIDEO When you are plowing through 100s, sometimes 1000s of shots a day, time is the most important factor in determining your success or failure. The features you will see in this video will help you save a significant amount of time and make you a much more efficient colorist. Reply and let me know if you found th

Dayna from Stopdown Pictures takes us through her "Janelle's fashion shoot". She explains her researching process, makeup techniques, and post workflow. Equipment: Canon 5d MkII Canon 24-105 4L IS Speedlite 580EX Arri 650 Arri 300 3x practical lights from home depot. YONGNUO RF-602 Wireless Remote Flash Trigger Software: Lightroom 4.2 Photoshop CS6 Mac OS X Lion Soundtrack by: PNFA - Magic Mustard Machine by Wolfram Gruss

Dayna from Stopdown Pictures takes us through her "Janelle's fashion shoot". She explains her researching process, makeup techniques, and post workflow. Equipment: Canon 5d MkII Canon 24-105 4L IS Speedlite 580EX Arri 650 Arri 300 3x practical lights from home depot. YONGNUO RF-602 Wireless Remote Flash Trigger Software: Lightroom 4.2 Photoshop CS6 Mac OS X Lion Soundtrack by: PNFA - Magic Mustard Machine by Wolfram Gruss

Demo Thanks...

I'm shooting a short film that mostly has interior, some exterior. I guess what I'm asking is what kind of lights would I need. The movie is split between int nights and ext days(afternoon). What do you think I would need to accommodate that? Thanks. Sincerely, Qazi

Visit My Website Hi guys, I'm a Senior level student who's ready to step into the real world. I like for you to check out my website and judge me by the site, demo, bio, resume and other projects. I can handle critique well as long as it backs itself up. Thank you. Sincerely, Waqas Qazi

Visit My Website Hi guys, I'm a Senior level student who's ready to step into the real world. I like for you to check out my website and judge me by the site, demo, bio, resume and other projects. I can handle critique well as long as it backs itself up. Thank you. Sincerely, Waqas Qazi

Visit My Website Hi guys, I'm a Senior level student who's ready to step into the real world. I like for you to check out my website and judge me by the site, demo, bio, resume and other projects. I can handle critique well as long as it backs itself up. Thank you. Sincerely, Waqas Qazi

Visit My Website It has my demo, other projects, photography gallery, resume and bio. Check it out and drop a line, let me know what you guys truly think about it. Thanks so much. Qazi

I love your style of cinematography. Very Noirish... It kind of reminded me of Clockwork Orange although yours has more contrast. I liked the richness of it. How long have you been working as a Cinematographer?