Stephen Tringali

I'm preparing to shoot a short music doc, and many of the venues I will be shooting in are somewhat dim and will not allow me to bring in additional lights. I'm wondering what super 8 and 16mm stocks respond best to push processing (how many stops is it possible to push them?, are there any unique resulting effects on particular stocks?, etc.) or if there are any other solutions to the problem aside from abandoning film and shooting digitally. Thanks.

Sorry about that. I should have read over the forum rules more closely. I've added my last name to my Display Name. Thanks for pointing out my mistake.

I have some black and white 16mm stock (plus X neg 7231) that's been sitting in my freezer for about a year now, and I'm preparing to shoot a short with it. I was wondering if anyone could suggest how I should treat the film stock while shooting, particularly with regard to over exposing it. Any other things I should keep in mind while shooting it would also be appreciated. Thank you.