Timothy Edwards

Thanks for replying. We did a camera test with this stock, and that was a little grainy too, but for lighting constraints had to go with 500T. Next time I'll be sure to over-expose a little more. Cheers, Tim

Hi there - First time poster, long time watcher. I just finished directing a short on Kodak 7219 (Super16mm Vision 3 500T) and am looking at the one light HDcam transfers that I got back and they look a little grainy/noisy. Footage was shot on an Arri SR2, with Zeiss Super Speed primes at 2.8/4 in a room lit with mostly practical fluorescent lights (not kinos) with a temp around 4400K. Any thoughts? Or is this just what 7219 looks like? Here's a link to a still: http://gallery.me.com/timothysedwards#1000...p;bgcolor=black Cheers, Tim