I apologize for the overly sensational thread title; I wasn't really sure what else to call it. I just don't see why people choose to shoot on film when they can easily make their flat, lifeless, orange and teal dreams come true with a digital camera.
Now I don't think Phil's example looks bad at all, I'm talking about this trash:
http://tinyurl.com/ybb7kv2
I know what I'm about to say probably doesn't make any sense because I'm inarticulate, but it seems that the idea of the "film look" has become subjective over the years. The "film look" used to be (to me, at least) the look of genuine celluloid untouched by computers. Then, over the years, people decided that untimed film isn't good enough. The "film look" evolved into a stock visual effect and a cliche representative of how other films looked at the time. If other films were shot on 35mm and then color-timed to have less color variation than 2-strip Technicolor, than that is the "film look." If other films were shot digitally with fake film grain added in post and cropped to 2.35:1, then that is the "film look." If a film was shot on 35mm, degrained in post, and then overlaid with fake film grain for absolutely no reason, then that is apparently the "film look."
I like to think that years from now people are going to laugh at all these overly touched-up images the way we laugh at overproduced disco music from the late '70s.
And yes, I am a fan of gate weave. Not loads of it, mind you, but just enough to give it the look of film being projected. Screw DI for taking that away.