I believe the DP was using a monitor on set with waveform, and was trying to get me a solid amount of information between 0-100. Not sure if he would always shoot with these settings.
The log file really opened up well as I stated. Not a whole bunch of noise added, and I myself do really like the grain structure of this footage. I would have to say its a touch more cinematic than RED MX footage. But every project requires something different from the camera.
I'm just glad there are so many too choose from now.
I've graded F23, F35, D21, ALEXA, RED, RED MX, 5D "HATED", PHANTOM, VIPER
All amazing cameras, but each one offers its own unique style and flow to digital cinema.