Bill Chepel

Hey guys, thanks for the input. FYI, the arri b-mount is for 35mm lenses too. The Ang zoom was used with my IIC. The GH2 sounds amazing and I am definitely going to check it out. Given that my zoom is intended for 35mm and the 7D sensor size, do you still favor the GH2?

I want to make the move to a DSLR, probably a 7D, and have to make a decision re lenses. I own a factory multi-coated 20-120 Ang zoom (T2.9) and a 16mm Zeiss prime (T2.1) - both from the late 70s, with b-mounts, but in terrific condition (serviced, etc.) They're old, but they were good lenses in their day. So my dilemma is do I convert them to PL mounts, get an adapter and use them with the 7D since I already own them and they are intended for cine use (focus especially), or is the conversion and rig necessary to use them not worth it? Are the optics of these older cine lenses comparable with modern Canon lenses intended for this camera? If I didn't already own them, this would not be a difficult decision. I'm thinking that with the right support, rods, etc., I could save money and have a setup that works well for filmmaking. On the other hand, getting them to work on a 7D may be a kluge, and maybe they're lame compared to todays "L" lenses in optical quality, ease of use. etc.. I dunno.... What would you do?

Thanks for the great responses. Question: the increased contrast is what creates "blown outness and crushed shadows" and I'm guessing you do that by overexposing, but is it better to shoot the scene that way, or shoot it correctly exposed and manipulate it later - let's say in fcp?

Hey, I'm new to this and trying to figure out the right camera/lenses for shooting music videos. I love this look: My link My link its definitely digital, but has a shallow DOF and just a great look. Short of something like a RED, is there a more affordable camera that can do this? What do you think was used here?