William Carnahan
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Just tyring to figure out how to achieve this, I have never been on a set where it seems to be done well (well at least a cheap set, like a Wooden Nickle lighting set). The best I figure is par-cans on dimmers and or little edison switchers, and have a gag as we are recording. Here is an example of what I am talking about: At 2:37 http://www.youtube.com/watch?v=SW6getY1NwY&feature=youtube_gdata_player Anyway help would be awesome. Sadly we hardly have any budget.
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I am a recent graduate from LMU grad school and have put together a REEL. I was thinking it would be really nice for some experience directors or other cinematographers to just through in a couple of tips on what makes a good reel for a starting cinematographer/ camera op. So if any of you have any tips out there I would love to hear them! Thanks! will
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www.williamcarnahan.com I am a little tired of looking at this but I would love some feedback on everything, shots, editing, pacing, what I should be using what I shouldn't. Please don't hold back, if anything I know everyone here will give the most honest feedback which I need! Thanks so much! www.williamcarnahan.com