Teegan Benson Smiths

Hey Simona. Just making sure I got this. So you dont have enough light, the location has no windows and you need to add more light to your scene but you only have 1 practical motivated light. Well if you have no windows the only option is to add a few more practicals, (maybe a standing lamp, candle light) with these practicals in place you can a add a few soft lights( kinos) into the scene to get the right amount of light., all depends on what look you are trying to achieve.

Why is it DSLR lenses are more critical on focus than cine lenses?

Thanx Brian for all your help. I know its pretty weak they only give us ND filters.

Cool Thanx guy. That all makes perfect sense. What would you do if you didnt have access to fliters ( limitations of 2nd year film school). I am shooting on Super16. I plan to balance my tungsten lights with CTB and punch a few HMIS'S through the windows for natural daylight. I am needing that typical white office lighting, hence me balancing my tungtsens for interior. 1) What stock would read my whites better under this basic lighting setup?

Hi there I am film student from South Africa and I am trying to figure out which is the right filmstock for my next short film. The whole film is shot interiorly in an office, all scenes are shot in daytime. I only have access to tungten lights which I plan to balance with CTB to give me that daylight feel. I also hope on getting a few HMI'S. All office/hosiptal interiors have a whiteish light which is why I will be balancing my tungsten lights. What stock would be better suited for this setup tungsten or daylight?. Sorry guys I know this is probaly a basic one, its just starting to confuse me a bit. Any info will be a great help.