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Lucky Cheng

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Everything posted by Lucky Cheng

  1. If you wanna get your feet wet for cheaper, in Regular 16, check out my Bolex listing: http://www.cinematography.com/index.php?showtopic=59295
  2. If any of you are interested in picking up gear, check out my post here: http://www.cinematography.com/index.php?showtopic=59295 Rex-5 bodies, and lenses.
  3. I am selling off a large part of my 16mm collection. I've got 2 REX-5 bodies, in perfect working condition and super cosmetic condition. Comes with rewind knob and eyecup. $700 OBO. Am also selling off these lenses, also usable on 4/3 (Four-Thirds) sensor digital cameras. Listed are prices for each. May be open to negotiating. Switar Kern-Paillard H16 RX 10mm f/1.6 - $200 Wollensak Cine Raptar 50mm f/1.5 w/ hood - $200 (3x) Switar Kern-Paillard H16 RX 50mm f/1.4 - $500 Switar Kern-Paillard AR 50mm f/1.4 - $500 Yvar Kern-Paillard AR 75mm f/2.5 - $250 Yvar Kern-Paillard AR 75mm f/2.8 - $200 Inquire about the pieces you're interested in. Will sell separately. Can give discounts for buying a bunch of stuff. **I've also got these few lenses that are quite rare, I'm not really looking to sell them but will consider if the price is really right: *Switar MC 10mm f/1.6 Macro *Bell & Howell/Angenieux 25mm f/.95 *Macro Switar H16 RX 50mm f/1.4 *Angenieux Type S5 50mm f/1.5 *Schneider-Kreuznach makro-tele-xenar 75mm f/2.8 If you're in NYC area, we can meet up, otherwise, Paypal (must have verified address). Let me know if you're interested in anything! I have photos of each piece.
  4. Interestingly, I have heard that 5213 pushed a stop looks cleaner than 5219 in some situations, because of the way the 200t grain is structured.. Have never tested it myself, but would love to see the results..
  5. Was it the service or did they actually wreck your film? I need to send some film over there soon. Let me know if you find any other place as well!
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