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omar robles

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About omar robles

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    Director
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    Los angeles

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  1. So is there anything else in the clips that you have noticed? A certain film like softness?
  2. My eyes might be deceiving me but I don’t see the teal and orange look in the Michael bay sense of the word.
  3. Hello Members: I am a novice when it comes to color grading so I apologize if my inquiry seems dumb, but I am obssesed with finding this out. I noticed that a lot of commercials and music videos from Spain, Mexico city and some european countries have this similar type of look which I describe as the "euro" look. It has a very organic film like look to it. I have spoken to a few DPS and colorists from some of those videos which I admire and they downplay their work a little. For a while I believed they used special filtration on the lenses but one of my favorite videos the DP told me they shot it clean. Besides the obvious answers that it is lighting, production design what is that element that i am missing. https://vimeo.com/371955754 https://vimeo.com/200411652 Thanks in advance O.R
  4. Hello group: so a colorist I was speaking to told me the secret to get a filmic image besides the obvious lighting, production design etc is the way you deal with the highlights in post. So in doing reasearch I discovered a lot of Colorist’s isolate the highlights in davinci and slightly blur them. Is there anything more in working with highlights in order to get the professional look? Like I look at Roger Deakins work with digital and that’s what I aspire to obtain.
  5. Hello group: So I am watching this ROB ZOMBIE FILM " THREE FROM HELL" and to my amazement after viewing the special features on the film they discussed shooting it digital. The film was shot on the Alexa mini. If any one has seen the film you would swear it was shot on celluloid. On the special features they show raw footage and people viewing footage on set and it looks like film right out of the camera. My question is besides filtering is there a method for getting that film look in camera?
  6. Hello group: I am shooting a project on the Alexa classic and I have scenes in a car that I plan to use the mini on. My question is will the footage match in post? I ve been told different things. One person told me since they have the same sensor they have the same look. Another told me they have a different look and won’t match. Since I don’t own a mini I am unable to compare. Any information you can provide to save me from having to spend money on testing would be appreciated.
  7. It’s the ultra thin 3g sdi cable. I bought it from b and h
  8. I am using an SDI cable. I have only connected to one input on the 7Q the SDI A
  9. Hello group: So I noticed when I shoot my arri alexa classic to the odyssey 7q the image pops in and out when the cable that leads to the camera is slightly touched. I have already bought two different cables and i still have that issue. It sucks because if i am recording something to the 7q and fidget with the cable the recording stops. Any help would be appreciated. thank you O
  10. So I purchased a ARRI ALEXA CLASSIC and it came with a baseplate that takes 19mm rods. Unfortunately for me my old arri follow focus only works with 15mm rods. Are there any other baseplate available for the Alexa that take in 15mm rods? I tried bushings to use both 15mm and 19mm but I didn't have success with it. Thanks
  11. It’s not a zoom lens it’s a Sony cinealta prime lens.
  12. Hello Dom You raise a interesting question. I am used to shooting with a SONY F35 unfortunately that camera only shot at 1080p so the arri Alexa footage shouldn't be softer at 2.8K.
  13. Hello group: So I finally pulled the trigger on a Arri Alexa classic. The only issue I been having is my footage is coming out a little soft. I am shooting currently arri raw on a odyssey 7q. But even with focus assist my shots look softer then they should be. I am using Sony cinealta primes as my lenses at sometimes a 4.0 stop. Is it a monitor issue or camera issue? thanks
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