:blink:
Well, this little thread lost its way there for a moment, didn't it?
I can recall a discussion like this happening on the CML a couple of years ago.
Colourists have a couple of knobs to play with... its just RGB... how hard could it be?
The games began... the flames rose... it wasn't worth inventing the internet for.
The last three decades as a professional have been fun, though.
And that does mean getting paid for it, thank you very much.
Read Kageyama's "Lessons in the Fundamentals of Go" for a really sweetly contrasted view of the amateur/professional relationship. Page 10.
So, getting to simple machines. Lets see. A guitar only has six or so strings, right?
So, I guess Daniel will be wiping up the floor with Eric Clapton this weekend, right? Or would that be an age thing?
How about a Grand Prix race car... steering wheel, gearshift, brakes, "loud" pedal.
I'm sure we'll be hearing a new name in Formula One soon, and he'll be the guy handing Michael Schumacher his head on a plate. Yup. A star is born.
Funny thing about colour correction. Absolutely everyone is prepared to accept their own work. The difference is when everybody else does.
Now, 4K for telecine...
Kodak says about 8K is probably max for 35mm. Moore's Law has some catching up to do, plus pipelining will be like trying to accept a flow of data like Niagara Falls through a garden hose.
But, you know.... when I started in this business... (like Marconi was a kid....)
JPO
