Jump to content

Montica Pes

Basic Member
  • Content Count

    3
  • Joined

  • Last visited

Community Reputation

0 Neutral

About Montica Pes

  • Rank
    New

Profile Information

  • Occupation
    Director
  • Location
    Los Angeles
  1. Thank you everyone!! I'm sending my footage to Fotokem today and I will let you know how it turns out. :)
  2. Thank you Paul for responding. It will be a scan. And yes, the picture was taken on the 7D and the setting were dialed in exactly as to what I put on the Arriflex. So you are saying I should push (overexpose) 1 stop? 2, maybe? :)
  3. Hello and thank you for any help in advance. I shot my first couple of rolls of 16mm yesterday (Vision 2 and Vision 3 500T in a 16mm Arri from the 60s). To help you understand where I'm coming from with this question, I shoot digital regularly and also 35mm film stills, which I develop. Also, all the tools I was working with yesterday are ancient--finicky in the working, but working. My hope for the two different shorts are medium to high contrast with fine grain and lots of saturation. Here's my problem: I need to know whether to tell Fotokem to push the film a stop or two. Both shorts should take place in a darkened apartment with one practical light suggested as the only light source and a moment where I shoot a darkened room with "moonlight" spilling in--a 250 Lowell light with CTB through a set of blinds. As we were getting readings from an ancient Spectra light meter, the reading kept coming up with a 2.0 on the key side and a 1.0 on the dark of my subjects. The camera's lenses would only open up to a 2f. I was told to overexpose by a stop, but I kept taking a reflected reading using my Canon 7D and getting the light that I wanted--same reading but the light looked right. I exposed for the 2.0f through the entire shoot, not overexposing at all. Also, that means the darks are gonna be DARK. But I'm concerned at this point. Plus, I may not be understanding a "dense" negative. In still film processing, you can only expose the negative once. If I didn't expose for details in the darks, then there really isn't an amount of pushing I can do in the developing that is gonna make up for that after I develop my negative. Should I have exposed for the darks, which would have made the scene look like a well lit daytime scene and then pulled back? (These are shots I took with my 7D with the same settings dialed into what I was dialing into the Arriflex. The performances were so good yesterday, I really want this to turn out and I have to give instructions to the lab tomorrow. Any help is much appreciated. Thank you in advance! Best, Monty
×
×
  • Create New...