Marcus Albino
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Robert, you're saying with KODAK's 250d I can achieve one continuous shot (exterior to interior) and correct it in post? what do you mean exactly by, "exposure transition with a iris pull" thanks for your help
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i was looking at stuff like this: http://www.lensrentals.com/rent/video/lenses/pl-mount/zeiss-compact-prime-cp.2-18mm-t3.6-pl http://www.lensrentals.com/rent/video/lenses/pl-mount/zeiss-compact-prime-cp.2-35mm-t1.5-super-speed-pl http://www.lensrentals.com/rent/video/lenses/pl-mount/zeiss-compact-prime-cp.2-135mm-t2.1-pl but I'm new at this. is pl mount S16 compatible? I'm shooting on an ARRI SR2.
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Hey guys, So we're shooting the first ten minutes of our feature film this month and I'm trying to finalize my lens package. We can afford 5 Super Speeds (35, 50, 85, 100, 135) but I don't know how low I can go on 16mm. If it can handle something like an 18 or a 21, or even a 24, I would be very interested. for more information on our movie, check us out at po.st/sowhat
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Hey guys, I'm looking for a bit of advice, stock-wise. We're shooting the first ten minutes of our feature film this month and unfortunately my DP is as unfamiliar with film as I am. For outdoor scenes, I'm looking into the KODAK Vision 3 250D. One shot in particular, we transition from the roof of our building to the inside of our apartment. I dug up an article on Fuji's old 250. The tester claimed it would work very well under such a transition. I'm assuming that Kodak can achieve the same result? http://www.fujifilm.com/products/motion_picture/lineup/eterna_vivid250d/demo/ w