I myself have been considering Techniscope as an option for a project, although the look I am going for probably has to do more with the type of film stock I will use. The look of the picture is supposed to be influenced by the look of American Graffiti: all the wideness of anamorphic combined with the grittiness/grain of 16mm, with lots of saturation and a "jukebox" feel given off by the bright colors and grain. There's a lot of nighttime shooting involved, and the plan is actually to shoot for the most part in natural light -- however I'm really not sure if this is possible. I'm being told that to achieve the kind of grain necessary for the vintage look, we should just go with Super 16 as opposed to Techniscope.
