Jonathan Tinsley

James,

It is indeed hard to find info about those Factory #608's. Are they for super16? What is their sensor coverage?

Hey everyone!

The production company I work for is parting ways with our Red Weapon Helium 8K S35. It is in great condition, 333.6 hours used.

Willing to sell each accessory separately.

• Red Weapon Helium 8K S35 Brain w/ Skin Tone Highlight OLPF - $30,000
• Side Handle DSMC2 - $600
• Bomb EVF w/ Spinner (no cables included) - $2,000
• Ti PL Mount - $1,000
• AC / Wall Power cables x2 - $150 for both.
• DSMC Canon Mount - $500

All accessories OBO. PM for more details and photos.

Thanks!

I shoot sports nearly every day after work and I never shoot 1/48. Way too much motion blur for action. I typically shoot around 1/60 - 1/80 at 24fps. For 60fps shots I'm usually at 1/180.

Red Volt Battery Bundle

15 batteries. 5 chargers.

$1,100 OBO

Hey there! I've got a handful of lenses that need to go. I've got some Canon mounted Zeiss Duclos ZF.2s, a handful of Nikon lenses.

I've got all of them posted up on a local Salt Lake City marketplace viewable here: https://classifieds.ksl.com/search/?keyword=3329436

They're all used and marked down quite a bit below original retail costs. If you're interested in picking up multiple lenses I'm willing to put together a kit price as well. Thanks!

Freshly updated demo reel. The harshest of criticism would be greatly appreciated. Thanks!

Yes, Meshes of the Afternoon is a good one. You should check out Takashi Ito, titles like "Grim" or "Spacy". Ito explores space like no one else.

No... It isn't. It's a desktop app. All Adobe products moved into the Creative Cloud a few years ago.

I wouldn't bother with Power Director. Just get Premiere and edit with what is industry standard. It isn't even that expensive.

Yeah here's a link:

https://creative.adobe.com/plans?promoid=NV3KR7S1&mv=other

I would just get Premiere for $20/month.

 

 

Trailer for this looks better to me than the one for the new Blade Runner movie, some variable acting aside.

This trailer definitely has done a better job of world building than 2049. But, the 2049 trailer doesn't really need that much exposition because of the first movie right?

 

Would be better if it was augumented with more minatures.

They used a fair amount of miniatures though, didn't they? At least judging from their BTS blog posts on the site.

You mean it looked pretty... looks like a video game to me. :(

What do you mean by video gamey? I think it looks amazing considering it's pretty much shot in their garage and mostly in camera.

I couldn't imagine pulling double duty on a big feature. I mean, just the shorts I've both directed and shot I've felt like I was doing a disservice to my actors because I couldn't be there for them all the time.

 

 

I believe the directors cut shows that he is.. the studio cut totally lost the whole point of the origami unicorn.. Deckard dreams about unicorns.. Gaff knows his dreams..shown by his making the origami one.. knocked over in the final scene.. therefore he is a replicant .. this was Scotts cut.. but the studio cut out the dream sequence .. in their typical artlessness ..

From what I understood it's always been open to interpretation. Scott says he is, Phillip K. Dick says he isn't. I think I've even heard Ford doesn't think he is.

I bring that up because replicants only have like a four year life span right? So it's been a few decades now and he's still alive.

So does this end the conversation about Deckard being a replicant or not?

Looking at the video above, it says you can use a green screen rag with the Grip Cloud. What would be the point of that versus just using a frame?

Just what I was looking for.

Thanks Gregg.

I also had a question. I shot this on two lenses:

Canon 8-64mm Super 16. https://www.abelcine.com/store/Canon-8-64mm-Super-16-Zoom-30528/

and the Canon 11-165 Super 16. http://www.ottonemenz.com/index.php/zoom-lenses/16mm/canon/item/382-canon-11-165-t28-zoom-super-16.html

I've looked around everywhere and I can't figure out what year these lenses started being produced. If someone knows that would be fantastic.

Thanks.

Hello,

Here is a short I just finished for a young filmmakers competition that is put together by the Sundance Institute and Adobe. Being written, shot, and edited in three weeks, this was probably the hardest project I've worked on so far and it taught me so much.

If you have a moment, please check it out and give it a vote if you think it deserves one. Feedback would be much appreciated as well.

"Dust and Sun"

https://sundanceignite2016.com/#/projects/zUppH?_k=0qrb0c

Thanks,

Jon

Thanks for all the input everyone. It is much appreciated. I've taken some notes.

So I graduated college a few months ago and have been steadily working since. I've had an insanely busy summer which included getting on my first feature. I'm super happy to finally be out of school and pursuing my goals.

One major issue I've ran into though is getting paid. I've had plenty of work over the course of the past several months, some of which was work out of state, so staying busy isn't a problem. But some clients have yet to pay me 3 months after a job and it worries me I'm going to have this problem for awhile.

I'm losing my patience, but I am keeping it cool and am still polite with these people. I even delivered my product to one client about 10 weeks ago and they still beating around the bush when it comes to paying me.

I live in a smaller market where unions aren't a thing and people expect quality work for minimum wage prices.

Is getting paid in a reasonable amount of time an issue most people run into?

Thanks,

Jon.

Oh really? Every time I have looked around about that it has just led me to some dead ends. I will definitely have to start looking deeper. Thanks.

The only problem I have concerning Windows and ProRes is the inability to decode and encode to ProRes. Other than that, ProRes seems to work just fine when I bring it to my Windows computer at home.

By all means, do what you feel like is best for you. But to me I think you could invest that money elsewhere (like lighting gear) and get much more out of it.

 

It would be if the link was working...

http://www.moviegeeksunited.net/artofcinematography.htm

This link should work Bill.