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Manoel Marques da Costa

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  1. Thank you guys for the head up! I'll was thinking bout shooting it at nighttime, these HMI set could be really useful, I will try with a 4K we have and mark the little spots with small fresnels (with CTB). The haze could bring a really good atmosphere to the ambient, I'll talk to the production bout it.. You think the use of China lanterns could be good at this one? Anyway, guess a finesse light set is the secret here, when I have something concrete I'll send you guys to get your opinion! Thanks again!
  2. Mornin' everyone. That's my first post here at the site, so I'll try to be pretty clear (sorry bout the english, from Brazil in here). The thing is, we'll be shooting a college thesis film (a thriller themed short-film) this next semester. One of the locations is the living room/ kitchen of a country house. I'll get two setup's at it, the first one will be basically natural light with a bit of reflected backlight (we'll shoot with a steadi going round, so I'm trying to avoid any possible physical interference). My doubt would be what set or what kind of equipment I use for the second moment. The character will be entering an eerie aura, he's returning to the house after some weird stuff happens at the outside. What I want to do is a set that get the interior much darker than the first time, but not too much, so it can be clear that he's at daytime. Wanna use a strong marking contrast, but not to defined lines, I'll post a reference image so you guys can understand my point. Just for the knowing, the camera will be a Sony F-55, shooting at 2k, and we got plenty of lighting equipment to choose, so basically there is no strong limitation to what type of light we can use. Well, guess thats it, if you guys could get me any help it would be great! Thanks!! The reference, from 007 Spectre (bad quality, but great lighting) :
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