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jldp

Basic Member
  • Posts

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  • Occupation
    Cinematographer
  • Location
    LA
  1. whoever buys this nice set, i have the 100mm that goes with it! listed in the market place!
  2. I have a fully cinemoded contax zeiss 28mm f2.8, the iris has been declicked and cleaned and serviced by Duclos, the gear is by followfocusgears, the cine front and push cap are from cordivision and the lens itself is a mint late model mmj version. I'm including the contax front and back cap, and the PRO version of the fotodiox EF adapter that has no play, plus an EF back cap. Ships from the USA!!! $450 obo
  3. I have a fully cinemoded contax zeiss 50mm f1.4, the iris has been declicked and cleaned and serviced by Duclos, the gear is by followfocusgears, the cine front and push cap are from cordivision and the lens itself is a mint late model mmj version. I'm including the contax back cap and a contax clear filter that has lived on the lens, and the PRO version of the fotodiox EF adapter that has no play, plus an EF back cap. Ships from the USA!!! $599 obo
  4. Carl Zeiss Arriflex 2/100 Planar 100mm f/2 T* Cinema Camera Lens in excellent condition, gears are very smooth and not loose. happy bidding and thanks for your interest. $4499
  5. I have two S35 Zeiss Standard Primes that are perfectly matching as their serial numbers are almost identical. They are mint in their original boxes. They are currently in B mount, but in the 6 screw mount that can be easily switched to factory PL by Duclos for a couple of hundred dollars. Also Raf Camera makes a B-EF mount on ebay that i havent tried but hear it works and might be good for Raven users. $4000 each or $7500 for both. email for contact or a full set of pictures: at120fps@aol.com located in los angeles for inspection and pick up. or will ship and accept paypal thanks!
  6. There is one reason and one reason only, Telecine. This was the time that telecine, transfer and color from film to digital beta came into a cost effective medium. The same 5 telecine colorists did almost every video of that period. As well there was about the same 10 DPs shooting them all, but still the telecine process of the time was the main factor.
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