Hi, Scanning was done at Berola as 16bit uncompressed TIFF. The grain structure and the perfo hole are sharp. So I doubts its the scanning. I think I use the auttum here and shoot another cardridge, while changing focus and focus length. If it is wrong collimation or film alignment, something must be sharp. Either far objects when focusing near object or vice versa.
What does TLC mean?
Would it be an option to get a C-Mount -> MFT-Adapter and check the Schneider-Kreuznach at the blackmagic or panasonic?
But theres another completely different problem:
Its visible best at 3:00 at the stone of the fountain just in the middle and at 3:50 at the gates. Some stones get a green color cast. The 50D shot the stones around the gate goes into the green. Where as the stones in the blackmagic shot goes into orange. Even the shot at 2:14 where the orange tram moves by. The shadows at the left have a magenta cast and the houses at the right have still a greenish cast. I dont know if something during development went wrong (by Andec). It did only "global" color corrections. (primary wheels and YRGB-curves in resolve). No power windows, no selective color correction, no sharpening, no stabilizsation.
The blackmagic have a different red reproduction since it seems to beo optimized for skin color. (skins perfect, red roofs too orange) But I used my panasonic G3 as light meter and have stills of every scene. Even there the stones are not greenish, but orange. Its strange because it you look at the color circle, some orange tones will get a greenish cast and some slightly different ones a magenta cast. I cannot imagine any scientific explanation. P.S did someone understand the gag with the four additional accus for the BMPCC? P.P.S it was not a gag. Is really needed them ...