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Reece Matheson

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Everything posted by Reece Matheson

  1. Thanks. I don't know then. Maybe its because of a fast read out speed and maybe its because the image is captured in raw that explains why it has that cinematic look. Those were the only logical things that came to mind.
  2. I recommended the Canon cameras as a suggestion if one didn't want to spend thousands and thousands of dollars on a camera and also because they have been used to shoot feature films such as Blue Ruin, Blue is the Warmest Color, and Eli Roth's The Green Inferno. The fact they have been used on feature films is a huge plus.
  3. You're right. I'm sorry, I should have elaborated a bit more. I believe Red Epics used on feature films would make use of the Red Motion Mount which gives the camera a global shutter, giving it that look. In regards to the Alexa, the studio is by far the most used Alexa on feature films, explaining why it looks so filmic. IMO. I could be wrong but from what I've seen it makes sense to me. The F900, Thompson Viper Filmstream, Panavision Genesis, etc.. were very cinematic. I think the only times they didnt look cinematic were when Michael Mann purposely wanted a digital look like in Collateral and Miami Vice or when Gibson shot Apocalypto and needed an extra stop or two shooting in the jungle by using a 270 shutter. Other than that I think they were great filmic cameras.
  4. If you want to get a filmic/cinematic look with a digital camera you need to buy a good camera. I think it's as simple as that (sadly). This means buying a 25,000$+ camera. A Red Epic, Arri Alexa, or a Sony F-65 or F-55 (the latter being the least filmic/cinematic of the four but also the cheapest), etc... The reason for this is because they have either a Mechanical Shutter or a Global Shutter, which creates a filmic motion cadence/capture as it captures the image in a way similar to film cameras. While having a Mechanical Shutter like the F-65 or a Global Shutter creates a filmic/cinematic look, you can also get this with a Rolling Shutter if, and only if it happens to have an incredibly fast readout speed such as with the Alexa. From what I remember it has a readout speed of 6ms versus other CMOS rolling shutter cameras which have double or even triple the readout speeds. Older digital cameras usually had CCD sensors and global shutters which is why those pioneering digital film cameras looked cinematic/filmic. Cameras with CCD sensors tended to have global shutters but CCDs are virtually extinct now, as CMOS have taken over due to their cheapness and light sensitivity. CMOS sensors are superior in virtually every aspect, but because they read out the image line by line and tend to have slow readout speeds, they usually produce a less filmic look, where as a CCD sensor which captures the image all at once (like a picture) creates that filmic look. The next greatest factor in my opinion is the Dynamic Range of the camera. DSLRs and lower end cameras tend to have considerably less dynamic range than film (14 stops), which essentially means they can't see into shadows well and the highlights can easily clip and get blown out. After that, you want to shoot at 24 frames per second or 24p for a filmic look (the film standard). The next factor is to have a 180 degree shutter angle or 1/48 shutter speed (its not necessary but most films shoot at this SA). Another factor which contributes to creating a filmic/cinematic look is the lens. Lenses play a huge role in creating a cinematic look (bokeh, depth of field, sharpness). Zeiss lenses are known for being very sharp where as Cooke lenses have a distinct look, tend to be less sharp with a warmer feel and unique bokeh). I think one of the most overlooked factors for creating a filmic/cinematic look with a digital camera is what type of file you are recording it in. Use intra-frame codecs. Use Raw or LOG, Prores 444 or 4444HQ at 10bit, 12 bit or higher. It is so important that you use these codecs to get a cinematic image. This is also important for CGI as the reason why CGI looks so bad on lower budget films is usually because they recorded the image at 4:2:0 which doesn't give the effects guys much to work with. Other factors include the color science, grading, lighting, props, acting, etc... If you can't afford a high end camera, I'd recommend saving up. Kubrick was a master filmmaker for many reasons, one of them being he made sure he had the best technology available. If you don't want to save for an expensive camera, I'd recommend the Canon C-300 or C-100s as they are great cameras their price. Hope this post has been helpful.
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