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Posts posted by Willem Jansen
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Allright, looks really cool! I always thought it was basically impossible to do that. Because you'll hear the camera running on the audio track. But maybe shooting 16fps does the trick?
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Any knowledge on how he got the dialogue and film in sync? Or is this easier than I thought...
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A man who has a company in Holland and a website named: cameraherstelpunt.nl
So for any Dutch or European people on this forum who seek a place to get their equipment fixed: stay away from that website!
Believe me, I don't wanna bash on people but people like him are bad news.
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Well, I ofcourse tried to get in touch with the guy. At first he'd send me emails and photos of what was wrong with the camera and then I didn't hear from him anymore. But the website is still online and I have the address, so I'm still planning on pressing charges.
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Adding velcro is a nice touch indeed haha
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Thanks Perry and Pav for the information. Much appreciated!
Pav, do you have any footage shot with your ACL you might wanna share? Nice picture btw ;)
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Would you mind, or any ACL II owner, what to look for if it's for sale as a package? Like accessoires and so on.
I'm not planning on buying one right now. But as a future replacement for my K3.
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Besides ebay (which I find a little bit too risky) and the market area on this forum, what are other good places to keep an eye out for an ACL?
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The thing is that I actually want to shoot crystal-sync. For my upcoming project I don't need it. But in the future I definitely will. And I like it to be a shoulder camera.
No, I didn't convert it to Super 16 myself, the loop formers are removed and that's how I bought it off eBay. The guy from whom I bought the camera from did very well know what there needed to be done to make it work the best possible way. I use a Sekonic lightmeter.
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For a few months now I have my second Krasnogorsk 3 (the previous one was sended out to be repaired but never got it back.....). I recently shot a test roll with it and, at first, was really happy with the results. But then I started noticing that some of the shots were out of focus. Really weird because I made very well sure that I had focussed properly. It now seems there's something wrong within the camera and needs to be repaired. I already have had contact with Bernie and have a range of what the costs will be.
Problem is I'm starting to have second thoughts of even getting it repaired... (shipping costs etc. etc.) It's already my second and I really thought this one was working a 100%. It's the black version with the m42 mount and it is converted to Super 16, so I was really excited about the thing. For a simple camera as the K3 is, I have a lot of trouble with it so far.
Is the K3 worth getting repaired? Or is looking for a more professional camera like the Eclair ACL a much better option?
I just would like to have a camera that doesn't need be fixed all the time. I know this happens often and will happen more. But I was planning on shooting my first short film with it and now only have a test.
New trailer for Emil Ink's "THE HEIST" shot on Super-8
in Super-8
Posted · Edited by Willem Jansen
No, I know the K-3 is loud. I wasn't talking about that camera. I just realized I haven't used my Super 8 cameras enough now that I know it is possible to sync sound.