Biopreparat

Just curious if anyone had any advice on how efficiently light intertitles/title cards, manually printed, so that they come out looking authentic from a B&W film. Thanks

I've found an Eclair ACL 1.5 for sale from a very reputable vendor with the following description: late FRENCH ACL 1 body, orientable Kinoptic finder, LATE VERSION, FRENCH ACL-2 motor 2-400' ACL-2 mags SHARP 10-150mm zoom lens, a case, handgrip, power cable, battery, charger. It has been extensively serviced and maintained, so I am not concerned with getting a lemon, and I know the vendor is trustworthy. What is a fair amount to pay for this package? Any thoughts or suggestions would be greatly appreciated. Thanks for your time

I am preparing to buy an Arri-16S or SB. I've configured a couple different packaged with various dealers but I keep coming to a few different dilemmas. I'm am amateur, pretty much just beginning. I know I want a zoom lens and have narrowed it down between the Angenieux 12-120mm and 10-150mm. (My decision will probably turn on the package price the dealer gives me.) I know the Bayonet mount is important to support longer zooms. How dangerous is it to use the standard Arri-16S mount with zooms of those proportions? What does it mean for both the condition of the hardware and the image quality? I was also planning on purchasing a couple low-end primes in addition. I was initially thinking of three: one around 10mm, another 25mm and the last 50mm. How practical is it to purchase these primes in addition to a zoom (one of my concerns is the zoom breathing)? Would there be much tangible difference between the image taken from the 10mm on the Angenieux zoom and a 9mm Cooke prime or 10mm Schneider? Thank you in advance for your time, it really means a lot.