Alejandro Ramos

SOLD

Willing to ship at buyers expense. This thing is a work horse. Can hold any camera weight you need. Serviced in 2022 but still works smooth as butter. OConnor 2575A Fluid Head Includes: Mitchell Base with Tie-Down 2575-120 Euro Plate Front Box Mount Arm Eye-Piece Leveler Euro plate (not in photos) Case s/n 539158 W/ babies and standards w/ cases Payload Capacity: Up to 90 lbs (40.8 kg) Counterbalance System: Stepless, providing precise balance across the payload range Pan and Tilt Drag: Ultra-smooth fluid drag system with adjustable, stepless control Tilt Range: ±90 degrees (full tilt) Camera Platform: Quick-release system for rapid mounting and dismounting Euro-style or Sachtler-compatible sliding dovetail Pan Base: Mitchell mount Weight (Fluid Head Only): Approximately 22 lbs (10 kg) Asking $8,000 for everything Atlanta based

ARRI Amira Includes: - Body (Only 1804 Hours) - 4k UHD License - 200 FPS License - Upgraded Top Handle UAP-2 - BPA-3 Plate - Studio BP-8 Plate - Dove Tail - AC Power Adapter - PL Mount - Gold Mount Battery Plate Flight Case Media: - 5x 128GB SanDisk - 1x 256GB SanDisk - 1x Sandisk CFast Card Reader Extras: - Viewfinder Cable - 32GB SanDisk USB drive (for updates and LUTS) -EXT power adapter to 4 pin - Selling in hopes of upgrading soon. The camera is working like a gem. Haven’t had any issues! Angenieux 30-80 T2.8 Includes: - Angenieux 30-80 T2.8 - Portra Brace Case w/ Foam - Front and Rear lens caps Lens Support receiver Notes: The lens has no fungus, haze, or scratches. Focus, Iris, and Zoom ring are all smooth and none are sticky. Happy to answer questions. ARRI Amira - Asking $24,500 Angenieux - Asking $9,500 OR if bought together - Asking $30,000

Still Selling

Selling my Angenieux DP Optimo 30-80 T2.8*Open to offers*Asking $12000Comes with:- Lens- Caps- Porta Brace hard caseCosmetics:- Very Light wear- Performance Optically tested to be within normal range.- Smooth and sound mechanics.- Glass is flawless

Great feedback! Re-editing now! Appreciate it guys!

Hey everyone, I'm transforming over from a videographer to a DP and I been slowly building my reel over the last year or so... I know my reel isn't amazing, but i'd love to hear what other people see in it good and bad. What are some things producers or people would like to see that would help build my reel. Any feed back is helpful. Much appreciated! https://youtu.be/2myCQ2qCEkc

I appreciate the response! I'm pretty much doing all of these currently. I wanted to check also if I was in the same ball park as everyone else. But it seems like I'm looking in the right areas/ talking with enough people!

Hey everyone, I have a question I'm sure that gets brought up a lot, but I'd figure I'd ask anyway. How do you all go about finding your gigs and your work? More so, how do gigs/ producers find you? It seems in this industry when you ask someone these question, everyone wants to stay very secretive about it because they feel the need to protect where they're source is. So I wanted to post this here to see if any one would be willing to discuss this. Thanks in advance and happy filming!