
Alexandros Pissourios
Basic Member-
Content Count
24 -
Joined
-
Last visited
About Alexandros Pissourios
-
Rank
Profile Information
-
Occupation
Cinematographer
-
Location
London
Recent Profile Visitors
The recent visitors block is disabled and is not being shown to other users.
-
Hello there. Thank you for your reply 🙂 So, my plan is to shoot the single frame and slow motion and get it developed and transferred to 25fps. The reason i'm wondering is whether whilst shooting it might need another setting (for example, I will change the 25f/s to 50f/s) Not sure about the single frame and whether that will need any changes in the light meter. Yes, I have the ISO set to 200. I was told to overexpose the film a little bit.... Do you have another opinion? Happy to hear about it! a
-
Hello and thank you for the replies! In case I confused you, just to mention again that when I graded this, I was only using my Macbook screen. I don't have the Resolve settings in front of me but I can supply soonest possible! The vimeo (H264 export) link https://vimeo.com/457743955 (password: wednesday) is the export that I used for the DCP projection For the DCP I was asked to export a Quicktime, JPEG200, 2k DCI Flat, 250mb/s Now, for the new grade Currently, the settings of my EIZO monitor - attached in the image I can send you the sRGB settings as well tomorrow...
-
Hello there! So over the last two years I've been making this film https://vimeo.com/457743955 (password: wednesday) on Super16mm. I had ordered for 2K flat scans and decided grade it myself..... ouch. It didn't go terribly wrong, but I've had my screening last week and noticed how my DCP's turned out too dark in the darks, too saturated at times, and too contrasty. Apart from not being a pro at grading I also graded on my MacBook screen. Not great, I know. Now that I'm back in London, the DCP people are giving me a free chance to make
-
Thank you Phil. It's really helpful to just a get reading from someone else. Yes, this last one you sent over with the histogram is def easier to manage (there was a home daylight lamp in the room so it's kind of ok, no orange tint --and the Cinelab technical grade in the transcodes is actually quite lovely. It's the (terminal) error of not using the lamp on all shoot dates that I'm struggling with but from what i'm getting, I should relax my expectations and try and do my best with it. I'm learning in the most silly way !! a
-
Thank you Phil! I see what you are suggesting there! It's close to where I would push it as well. How would you describe what you did there? Is it tint and colour temperature (to put it roughly) The other detail of this project is as follows... I made some footage using the 250d and a daylight involved so I did get some footage that look decent. I have a feeling the orange footage will never come close to this though... What do you think? A
-
Hi guys! I hope everyone is holding up ok. Grading nightmare below: I've shot a film with 250d and 500t rolls and in some cases (when using the 250d indoors and in low light) I got a orange tinted result (raw scan images attached) Now, I'm planning on grading this in da vinci. I'm not so sure I can do a massively good job because I've tried a few times and I always get up to a point where the image look ok but still not balanced enough to make me see past the grade (it looks very pushed) Have a look at these two screenshots... are they salvageable in your eyes?