Sushanta Barman
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Profile Information
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Occupation
Cinematographer
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Location
India
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Sushanta Barman started following Art Adams
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Sony Venice VS Arri Alexa (35 or mini lf )
Sushanta Barman replied to Sushanta Barman's topic in Cinematographers
Thank you Sir, Can you just give some hints of key factors to keep in mind, any reference videos maybe. Can you reference me some arri and Sony article or books about these cameras where I can find what the differences are ? -
"When selecting between the Sony Venice and Arri Alexa 35 or Mini LF for their respective projects, what key factors do DPs consider? Furthermore, could you please explain the differences in terms of look, color, and skin tones between these cameras in detail? Thank you.
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Sushanta Barman started following Arri Alexa ( 35 and mini lf ) vs Sony Venice
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"When selecting between the Sony Venice and Arri Alexa 35 or Mini LF for their respective projects, what key factors do DPs consider? Furthermore, could you please explain the differences in terms of look, color, and skin tones between these cameras in detail? Thank you."
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While using the Sony fx9 using slog3 in a low light scene using Iso 4000 I have found a lot of noise and I was also using T2, why is this happening, is there any solution to it?
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While shooting a night scene in slog3 why we should shoot it 1 stop over at 12800 ISO, so as to have low noise, but if we raise the Iso from 800 to 12800 doesn't that increases the noise ? I am confused please help me, I want to use slog3 for night shoot without having noise so that I have full opportunity for color grading.
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Can we use slog2 or slog3 in Sony Alpha a73 or Sony fx3 during a night indoor or outdoor scene, I know that it create lot of noise but what is the case for Sony fx3. If I don't use slog during night scene I will not be getting opportunity for color grading as I need to shoot in neutral color mode without using slog. Please help me out with this issue.
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Can we use slog2 or slog3 in Sony Alpha a73 or Sony fx3 during a night indoor or outdoor scene, I know that it create lot of noise but what is the case for Sony fx3. If I don't use slog during night scene I will not be getting opportunity for color grading as I need to shoot in neutral color mode without using slog. Please help me out with this issue.
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Why 35mm sensor are considered best this days in cine cams
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What is the default ascept ratio of Sony f55 video footage when we shoot full raw n 4k video n don't choose any aspect ratio
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Lighting for overcast day
Sushanta Barman replied to Sushanta Barman's topic in Lighting for Film & Video
I also have long following shot of two charecters walking forward and talking both are in same position and camera is in front them following. I want the good face light and dont want to have shadows under the eyes. -
Lighting for overcast day
Sushanta Barman replied to Sushanta Barman's topic in Lighting for Film & Video
Thank you Sir for the insight, I am a film school student and I don't have the access to a 18k hmi, I am going to have a three 350w led, one 1k led and one 4k hmi and skimmers. I want the light to be overcast, and no hard sunlight in the shots but is the natural overcast light enough for the wide and mid shots ( to have a good kind of rim light in the back of charecters and the face with good highlight ). I want to have good face light and contrast between the charecters and the environment. The first frame that I have posted how do you think I can make it more pleasing using ? The first frame that you have posted I want thak king of lighting( soft, diffused and the rim light which is over the shoulder and head ) Sorry I will not post again in multiple subforums. -
Lighting for overcast day
Sushanta Barman replied to Sushanta Barman's topic in Lighting for Film & Video
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Lighting for overcast day
Sushanta Barman replied to Sushanta Barman's topic in Lighting for Film & Video