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Tomas Gomez

Basic Member
  • Content Count

    4
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About Tomas Gomez

  • Rank
    New

Profile Information

  • Occupation
    Student
  • Location
    Bogotá
  1. Hey everyone! I'm gonna be shooting a student short film in a few days and I wanted some tips on how to achieve the all-red look of the attached image. We only have a couple of Tungtsen 1000w and 650w lights, and no extra money to buy gels, so I was wondering if it's a good idea to shoot it under just the tungsten lights and give it a heavy red color grade, also to avoid having the output of the lights reduced and focusing problems that I've heard shooting under red gels could give. I have also read on forums that someone recommended shooting under magenta gels (I have 3) and then adjusting i
  2. Hi everyone! So I am kind of a beginner in this world of color grading and i'm going to make a quick color grade for a project that's going to be shown on a local tv news channel. I am wondering if for this I have to bear in mind something specific for the workflow or is there something different that's normally done for a standard, web workflow? Thanks in advance!
  3. Hey thank you for the detailed response! So a few things about this: -Are the dark wood walls to prevent light bouncing? -I will be using a Sony F5 -Yes so even though I have never used them I also thought about the Hmi and Kino but you know, I study in a public college in a third world country so our budget is really, really low. However I will try to get at least 1 kino maybe with my own money, to have at least 1 good strong key, since the ctbs and the diffusion will reduce greatly the output from the tungstens. -I also thought about playing with the camera´s white balan
  4. Hey there everyone! I am a colombian film student and wannabe cinematographer and I am looking for some advise for an upcoming short film me and some classmates are preparing. So I am going to be the DP for this short and in terms of lightning I am looking to have an aesthetic close to the images I attached below for the interior daylight scenes. Logic tells me that to achieve this I should have some strong key lights motivated from the windows on the characters and expose to those bright areas of the face, so everything else will be darker to achieve that high contrast ratio. We´ll probably h
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