I shot this with Jordan and more than happy to share any specifics.
But as discussed was all Super 16. Mostly Ultra 16 lenses and then a lot of vaseline and paint on an optical flat and I think Smoque. We used different glass objects in front of the lens and a Optex Excellence with the B4 back end and a Abakus B4 to Super 16 adapter for the trick shots which were all practical.
Lighting was usually a Mole Beam with a 6k HMI bounced for ambience. Then T2 and T5 units. K Flect mirrors and loads of flags and blacks. We even used shutters for the lightning stuff.
There is a hidden shot on digital (RED Dragon) but this was just for the off speed.
All pretty old school.
Jordan is a lot of fun to work with and Arthur the set designer helped us pull it all off on a relative shoe string.
Hope that helps,