Strange title - this is my first post on these forums. I have a dilemma.
I made a short film in 2003 and had a "pro" crew, starting with the DP. I was the director - but looking back, he basically produced the film. He made it happen, despite my nearly non-existent budget (10K). I didn't know what I was doing. He pulled in a lot of favors to get a lighting crew in, sound crew, set designer - everyone basically. He even procured a studio space in which to shoot it (it all takes place in a hotel room, which we built.
I think the 10K I had paid for the set building, the rental of the camera (XL1s) and the Zeiss prime lenses. The most expensive thing was the insurance to cover the lenses.
In short, a lot of people worked for either nothing, or next to nothing.
After principal photography, a friend of a friend threw together a rough cut and I made some DVD's (once again, not knowing what I was doing), one of which I sent out to the DP. All I remember is him being furious, that no color grade had been done - basically that it still had a lot of "post" work to be done. I thought post-production meant editing/cutting the film together (again, I didn't know what I was doing.)
Shortly after this, the DP unexpectedly passed away.
I couldn't afford to have a color grade done by a professional (I'm being told now, that for a 20 min short, it will be a five-figure number) - or any of the post work and shelved the project - thinking selfishly that I had made the DVD and that was that.
I still don't have money for all of the post-work, but I can certainly do a better job now on the post production than I did then. It's going to be a long process - it's a labor of love at this point.
My question:
I remember the DP liked the look of a film at the time Sex and Lucia, and proposed that kind of "look". I'm pretty sure he was referring not only to the look of the film, but camera placement/setups, etc. - as there are a lot of scenes with lovers in a hotel room, and so similar to our film.
I'm wondering if a cinematographer could look at some of the footage and be able to see what sort of "look" he was going for by looking at the actual footage. He was a pro, and so tried to get it all right in camera - not with the attitude of "fixing it in post". That's part of the reason I thought it wouldn't need a color correction/grade - but after that phone call, clearly it needed something, perhaps simply tweaking black/white levels.
I want to somehow stay true to what he wanted - to make things right - not just the color, but finishing the project properly - I owe it to him, and to everyone else that worked on the film.
Apologies for the long post - I think my only chance is reaching out to the community to get pointed in the right direction.