ivan delenda

in El Greco y el Cine, SM wrote about Greco's point of view in "View of Toledo " and in " view of Toledo under the storm " in 16XX , ( this last is at the Metropolitan Museum - new york so TSM can visit). Greco painted the city of TOLEDO as if he shot with a 28 mm and not any other short .

i am sure that most of you know the 8mm and the 9,7mm ( only 1,7 mm dude !! ), and you are not waiting me to explain the differnce between those two lenses.

ivan

- not true is was the only available in USSR

- SM didnt shot with russian camera, at his time Russians didnt make any motion camera yet

what do u mean by puf puf,,,,

see , films are not only technique !!!! and you Monsieur "puf puf " - as i guess - you know only about technique, and you think thats it !

go read some books and watch some films before puffpuffing please .

i am not a genius , i f not, i wont be here asking and re-asking questions,,,,

ok , for Bethoven,,if he s born today, he will be DJing with PlasiKman,,,,

so if i understand you well, there is no diff between 27 and 28 mm , unless if one is made before 1914 ,,,

thanks very much for the informations

not beeing too literal ,,,i am not DOP, i am a Director

yeah i know that 1 mm wont kill anyone,but to close,try to see it that way, 90° angle is not 91° ,,,1° i know , but go tell that to an architecte ,,,

of course,,, i ll make tests and compare the two and will tell you about it ,,,

of course,,, i ll make tests and compare the two and will tell you about it ,,,

yeah of course i will let you know , , but until i decide wich lens i need buy , am trying to know from people who used both 27 and 28 to tell what do they think,,,

beside,am not sur you saw that text since it s not huge published,,but there as a filmmaker SM EISENSTEIN who wrote long long pages about the 27 and not the 28 ,,,

i am thankfull for TSM and Audiris, but people i am kind of stoned , 1mm is nothing tho, 1 stop will be nothing too, or one filter wont be important,,, and you know it s not true,,,

sorry ,,typing ; SM wrote about the 28 and not the 27,,,

1mm, dude.

yeah 1 mm : ) , but isn't the 1mm that makes the difference ? not trying to make zee cool , but 24 fps is 1 frame before 25 fps , no ?

thanks for that informations,,,but i am asking about the 28 and not 27 ...or you think they are the same ?

hi every one,,,

anyone shot with 28 mm ?

SM Eisenstein said it s the XTC lens,,,but practicly what do you think ?

thanks

ivan

great,,,

i ll buy two Konvas 2m with some lomo speed lenses , and go for my shoot,,,

what if i have Konvas 2m ? i there any special advice ?

thanks guys,,,

i cant afford very speed Zeiss, so i ll go for double exposure.if i ll discover any new galaxy , i ll make you know :)

Hello Downix,,,

thanks for the advice,,,

the LOMO 20 $ lens went to my collection :)it was in a shop in Paris.

Hello,

i will be shooting soon in a desert, some of scenes are basicly night-shot stars.

my producer told me that it s impossible to get stars on a film , and he said i have to find alternative ways ...

is that true ?

if not , anyone knows , if it s possible, and what s the tric , shutter speed, lens , and film i have to use ?

thanks

ivan

thank you Christian ,,,

very surralist for me, you can buy a konvas lomo lens for 2O dollars,,,

in one hand , i find that fantastic, but in other hand , what is that lens "mint" conditions for 20 box ?

any one knows about LOMOS ?

thanks

ivan

hello,

please i need an advice,

is it better to buy a AAton super 16 , then blow up to 35 , or to buy a Konvas-Automat camera made in Russia in 1979.

and what about the stock and labs , the difference between 16 and 35 is it that huge ??

thanks

hello,,

thanks for the advises,,,

i ll start tests as soon as possible for the film stock,,,and i ll be helped with someone who can dop with me.

i know the only way to learn is "to shoot",still is there any book or something to help me before shoooting ?

thanks

ivan

hello ,,,

i made 2 films as a director, for my new film i cant pay a DOP, so i will do it myself...i ll be shooting during 2 monthes with 5 persones crew so it will be realy hot for me , to direct , to d o p, and to stay cool and not to loose ppl's trusts ,,,hoooo

i ll use XTR AAton super 16, ,,ok , i ll read well the camra notes, i have already " the american cinematographer manual " ,,but honestly i know nothing about film stock and filters,,,you see ? i have basics knowlge,i can charge the magazine, i can read light ,,,,,brrr,,i am loosing my nerves 3 monthes before the shooting.

is there anything to do in three monthes to learn more ? ok, i ll make tests with different stocks ,,,but is there books or films or webs or anything fot such situation ??

thanks

ivan