I don't think the SR3 has an elctronic shutter, I think I would have to go 35mm for that option. I've been thinking of keeping the ramping to between 12fps-48fps, this way I only have a 1 stop range of over and under exposure. I can do a supervised transfer to HD and correct the exposure before it gets to tape. I really need to test all this but right now I'm most concered with figuring out a way to keep the playback in sync with the camera. I'm going to call some sound guys I know and see what they have to say. Thank you for your comments... has anyone tried synching with AC? I thought a lo-fi way would be to use a dimmer that controls a tape deck and an older AC motor. Anybody think this is even possible? Any and all suggestions are welcome :D
Cheers
Zak Mulligan
If the playback is set for 48fps on set and I remove frames in post (I assume this is what you mean) wouldn't the sync be lost? Wouldn't I have to have the audio ramps established and played back while shooting at maximum frame rate? That seems like it could work.