davidWY

I am working underwater with the EX1 (gamma 1) and a nanoflash (Long GOP, 50mbs). The water is murky so in the wide shots there is dramatic loss of light between the top and the bottom of the frame. So, instead of a smooth transition I am getting big ugly bands, from light to dark. Is this just beyond the camera's capabilities? Or does someone know a better setting to deal with this. David

Thanks for the help. Without a color temp. meter I have compared the flourescents with my tungsten by eye and they definately are green. So I have ordered a varietly of +green gels for the tungstens to attempt to match them by eye. I will shoot with an LLD and get the rest of the color correct in post. Hopefully this is reasonable. Thanks again. David

Hi, Forgive an old question. I need to mix flourescent and tungesten to have enough light for this interior scene. I have 2x750w 3200k and one 450w 3200k. Not a lot of light but not a lot of budget. The scene has overhead flourescent lighting with on a 10 foot cieling. I will be shooting kodak's 7218 S16 bleach skip. Thanks David